Saturday, January 16, 2016

What Order Should the Star Wars Saga Be Watched In For the First Time?

I'm still on a Star Wars kick. This could be the last one for a while, I promise. I just wanted to ask the question: "What order should the Star Wars episodes be viewed in for someone's first time?" It's not as simple as just "Oh, watch them in chronological order". There's an art to picking a sequence of the films to view the saga in. In this post, we'll briefly go over the different viewing orders, why they're important, and which one I think works the best:

  • Chronological Order: We'll get the no-brainer out of the way first. George Lucas wasn't a sheep; he didn't number the freakin' movies for nothing. The purpose of the episode number at the beginning of each film (in the prequels' cases, in the fuckin' title) is to tell you where this portion of the saga takes place, and thus aids in your viewing order. Prequels, then the originals, then the sequels.
  • Production Order: This refers to the order in which the films were produced, not where they take place in the timeline. You watch Star Wars, The Empire Strikes Back, and Return of the Jedi, and then go back and watch Episode I: The Phantom Menace, Episode II: Attack of the Clones and Episode III: Revenge of the Sith, and then skip back forward and and watch The Force Awakens.
  • "Flashback" Order: This is a new order that's interesting in its presentation. It salvages the reveal of Darth Vader being Luke Skywalker's father, and before throwing Jedi at you, you go back and watch the prequels, and then get to Jedi. The flashback order works well for a great sense of adventure, and I have yet to view it, but I do have opinions...
  • "Fuck the Prequels" Order: This one's self-explanatory. You get the really grumpy fans out there who would love to see the digital negatives of the Star Wars prequels doused in gasoline and torched out of existence forever. This one you simply watch Star Wars, Empire and Jedi, skip the prequels, and go straight forward to Force Awakens.
  • "Any-Order-You-Want" Order: This one's also self-explanatory. Just pick a random one and follow it up with another random one. Star Wars, then Episode I, then Jedi, then Episode III...it doesn't matter at all if you're this carefree.

Before we wrap up, I have opinions. Wouldn't be my blog if I didn't. I'll start off by saying the Production Order is the best way to do it, and though I haven't done it yet, the idea behind and potential experience of the Flashback Order earns it a close second. People give me shit when I say this will be how I'll introduce my kids to Star Wars. They tell me to just play it safe and secure and show them the Chronological Order. However, I feel the chronological order actually robs from the saga, mostly for the reason that the biggest reveal in the franchise, Darth Vader being Luke Skywalker's father, has it's shock value in the reveal totally destroyed. Explaining everything off of the bat sucks the mystery out of the story. Sure you get a nice, cohesive flow of exposition and narrative plot that leaves your mind calmed that everything is answered as you go along...but what happened top people's senses of adventure? People from 1983 to 1999 didn't need all of the backstory explained! People act today like the prequels are a crutch now, which is just what George Lucas was hoping for. People are like "I can't watch the originals without watching the prequels first". That's fair, I'm not going to argue that you're an big dumb idiot jackass face, but I will slap my elitist headband on and claim that you've lost your sense of movie-going adventure. Do we forget that movies are meant to be experiences? Not a way to just kill two hours. What if before Raiders of the Lost Ark, I make you sit through all of the episodes of The Young Indiana Jones Chronicles before you even get to touch the Raiders Blu-ray? You'd probably want to kill me. In fact, if chronological order is what's popular now, I'd have to make you watch Indiana Jones and the Temple of Doom before Raiders of the Lost Ark since it takes place a year before. Indy's dramatic, badass reveal in the beginning of Raiders is destroyed due to you already having met him in Temple of Doom.

There you have it. My opinion. Did I miss any orders you've seen online? Did you have an order of your own? If so, comment it below or shoot me an email.

Friday, January 15, 2016

The History of Star Wars Re-releases and Harmy's "Despecialized Editions"


Because I put the ax on my Epic Star Wars retrospective (I'd like to finish it someday), I'll say what I want to say here: The original trilogy is of Star Wars is superior, no matter how you slice it. The prequels aren't terrible, but they are underwhelming. Unless you watch them in chronological order, in which case Star Wars is laughably bad right off the bat. They aren't bad to where you can't enjoy them; trust me you can enjoy them. You just have to switch mindsets when you watch the prequels. Just pretend you're watching a satire of Star Wars. We'll get into what order to watch them in at the end.

I'm bringing this up because I miss the theatrical cuts my dad had on CBS Fox edition VHS's from the late-80's/early-90's. The original cuts. The way audiences in '77, '80 and '83 saw them. I get lambasted by my friends today for expressing my love for what I consider the better films. Star Wars at the '78 Academy Awards took home seven Oscars...SEVEN. For a silly science-fiction fantasy opera film. That's crazy!

Let's go over a history of the controversial Star Wars re-releases. In '97, Lucasfilm released "20th Anniversary Special Editions" of the films to theaters and subsequently VHS that had newly-enhanced visual effects, made some editing changes, updated the sound and resolution. These '97 Special Editions started the fateful trend, as after that, they became the only versions of the original films to purchase in stores (We'll get to Lucas and destroying original negatives another time). In 2004, just a year prior to the release of Episode III: Revenge of the Sith, the original trilogy was released on DVD for the first time ever. Fans were hoping to get DVDs that contained both the '97 Special Editions and the original theatrical cuts. What we got instead, were brand-new 2004 Special Editions, with even more editing changes, and a piss-poor automated color "correction" that would've worked better if the editors just pissed on the film itself and sold that. These 2004 DVDs were and still are notorious for their color saturation that give each of the three films a faded greenish hue. In 2006 is when people started having a problem with Lucas and Lucasfilm, and vice-versa apparently...

After fans mailed, e-mailed and petitioned Lucasfilm to re-release the original theatrical cuts on DVD, the response we got was surprisingly juvenile and asinine in nature. In 2006, Special "Limited Edition" DVDs were released one-by-one by Lucasfilm that were advertised to contain both the 2004 DVD cuts of the films and each of the films' respective theatrical cut. Fans were initially celebratory, but descended into even greater anger when we learned the truth. The "theatrical cuts" included with the '06 DVDs were the '93 LaserDisc cuts. Cuts that were so similar to the theatrical cuts, but had minor editing tweaks, music cue fixes, and color-correction. Fans were outraged, but tolerated it. It was the closest we've come back then. The '06 "Theatrical cuts" are also notorious for their horrific LaserDisc-to-DVD transfer that resulted in a non-anamorphic 4:3 ratio which means it plays in a small box on all Widescreen TVs regardless of settings, and motion-smearing caused by primitive noise-removal methods, again proving that the prized original negatives of all three original films were not apart of the 2006 DVD release.

When it was announced in late-2010 that the entire six-episode saga was going to see a prized Blu-ray boxset release at last, many would think "okay, it's Blu-ray. Blu-ray's a pretty big deal right now. Maybe this will be the time Lucasfilm gives us what we want." Alas, again we were wrong. We again, got brand new cuts of not just Star Wars, Empire and Jedi, but also Episode's I, II, and III. These are the 2011 Blu-ray cuts, and they're the ones I currently own. Unless some of my friends aren't vocal about it, I was the only one upset by this in my circles. Everybody else was like "Well it's his films, he can do what he wants/wishes", which is true to an extent. If he wants to make his films the way he wants, that's fine. Most fans won't buy them if they have the original cuts, but the fact George also lampoons the original films as "crap" and says he does the Special Editions to improve on them is bullshit. I watch the 2011 Blu-ray cut of Star Wars thinking not that it's Star Wars I'm watching, but I'm watching a copy of Star Wars. I feel like I'm watching some internet troll's fan edit of Star Wars. This isn't the original release I love and want, this is something I was dealt without a say in the matter. I had to deal with it. The originals, in their greatest form, how I loved them, were gone. I just accepted it. I wasn't going to get what I really wanted. I just awaited the next release, which came in the form 2014 All-digital release, but they were just the 2011 Blu-ray cuts again. All available for the "low, low" price of $20 per title, or $90 for the whole saga. Sorry, not the saga, the 2011 saga.

Harmy: The man behind it all
FUNNY SIDE NOTE: The 2011 updates done to the prequels always make me laugh at their irony. How can you digitally cram more shit into digitally-crammed shit? Aren't you running out of room? I get fixing the God-awful Yoda puppet in Episode I, but anything else was absolutely unnecessary. Whoops, I've even started defending the prequels...to end, check out The Phantom Edit, which is Episode's I-III edited by the fans down into an hour and forty-five minute movie. No Jar Jar, no Midichlorians, no horrendous dialogue. Two can play at that game, George my man...

Then I came across Harmy. Who's Harmy you ask, besides a messenger sent from God in heaven to prove great Star Wars still exists out there? He's a foreign internet personality who, like 90% of the other fans, missed having his original trilogy the way he loved it. He said the day he wore out his VHS copy of Star Wars was the saddest day of his life, because the only cut available then was the 2011 Blu-ray cut. Remember, each new re-release undoes the previous one and they no-longer are sold in stores. Harmy could take it no longer, and started the "Despecialized Edition" project. What was the project's goal?

Crazy! That's what it was! Harmy's ultimate mission wanted to take any source of the original theatrical cut he could, any shot that had no Special Edition changes, any shot still intact since '77 and edit them altogether, back into a cohesive film, basically undoing all of the post '93 changes done by Lucasfilm. All of the sources are listed below that Harmy used to complete this magnificent restoration of Star Wars:
  • Lucasfilm's official 2011 Blu-ray cut. All of the non-CGI portions of this cut are re-used in the final Despecialized Edition due to their already 1080p HD quality, which saved Harmy a lot of time.
  • Lucasfilm's official 2006 release of the '93 LaserDisc editions, which helped to correct Special Edition changes.
  • Project Blu's upgraded HD footage of the '93 LaserDisc editions, which helped to correct Special Edition changes.
  • Internet user Flunk's somewhat HD copy of the '97 Special Edition theatrical release, which helped with editing and correcting Special Edition changes.
  • Team Negative 1's LPP scan of an original Star Wars film reel, which helped restore a few scenes.
  • Internet user Puggo Grande's dated, worn reel of the '77 (or '81) cut of Star Wars that was miraculously digitally corrected and enhanced to 1080p HD resolution to correct Special Edition changes.
Not only did Harmy want to do this for just Star Wars, but he wanted to do it for Empire and Jedi as well! Through a lot of work, turmoil, and what I can assume blood, sweat and tears, Harmy released his "Despecialized Star Wars Editions" online via his website, which have made their way into various P2P sites. I recently came across copies of the Despecialized Editions. Here's what I think of Harmy's work:

Harmy cannot be given enough credit for what he has done. This is no joke, I'm not making this up. I swear to it. When I pulled up the Despecialized Edition of Star Wars on my laptop and began playing it, I welled up in joy. I mean full on, hand-over-my-mouth tearing up. There, I said it. This ol' asshole has a soft spot after all.

The footage was beautifully enhanced to 1080p full HD resolution and it looks absolutely stunning. My vote is definitely on them looking superior to the already HD 2011 Blu-ray cuts. Each and every scene felt like it was coming straight off that old CBS Fox VHS, except gone is the grain of VHS wear-and-tear. Here is a beautiful, all-digital presentation of a recreation of the original theatrical releases of the three original films.

The sound is what truly what deserves merit here. As good as the footage looks in all three films, the sounds are astonishingly mastered and gorgeously re-edited into their original cues, volumes, frequencies, and pitches. Harmy has done supreme work in restoring the foreboding nature of Vader's ominous voice which was washed out by subsequent Special Editions. The lightsabers look and sound stunning, and the color correction is absolutely brilliant and jaw-dropping to look at. I've watched all three films since obtaining the digital files (a couple of them twice already) and I've got to say this: I don't know what the FUCK Lucasfilm is doing in their offices, but they have royally been jerking off too long because if an internet user gets a few fans who have cherished sources together and produces editions of the original trilogy that knock Lucasfilm's out of the park, then there's something wrong with that company. (Granted I saw Star Wars: The Force Awakens and it was phenomenal, but we'll get to that some other time).

Harmy and the fans who donated their sources to him have earned my love tenfold of George Lucas earning my love. Harmy made me fall back in love Star Wars again, which is weird to say because up until viewing them, I never thought I fell out of love with Star Wars. Please, if you love Star Wars then regardless of whether you're like me and crave the original cuts, or you hate people like me and think that what Lucasfilm is doing to their fans is right, you should check out Harmy's Despecialized Editions any way you can. I know I cannot wait to pop these puppies in on my 60" Samsung Smart HDTV with surround sound back home and watch all three of them. I don't even need the rumored Blu-ray re-release that Lucasfilm is still trying to jerk us off with by promising. Harmy and the fans brought us what Lucasfilm only hopes and dreams of: the greatest journey back to that fantastic galaxy, far, far away...

FINAL RATING:

Star Wars Despecialized: 10/10
The Empire Strikes Back Despecialized: 10/10
Return of the Jedi Despecialized: 10/10

No joke

Wednesday, January 13, 2016

A Tirade on "God's Not Dead"

In 2014, along came a movie about a evangelical college student who challenges his atheist Philosophy professor about the existence of God. The professor gives the student twenty minutes at the end of three lectures to make an argument about God's influence and general existence. The atheist professor spouts atheist things. The atheist professor is then revealed to be a former Christian who lost his way. Then he's hit by a car and dies. The End.

Oh...you probably want a more in depth review than that. Well unfortunately, this movie's story is about as bare bones as I am, and trying to find story in a story-less plot is like, well, trying to prove the existence of God. I mean how much did the writers possibly have to grasp at straws to write the one-dimensional characters that inhabit the universe of this turkey? So many things in the film are things we're either supposed to just accept, or supposed to know, or supposed to believe in without being expressly told or shown. You're probably thinking to yourself "Okay, so there exists a movie about proving the belief in God to a non-believer, that's a new thing, it's never been done before." Oh, but it has, and in far more creative and artistically awe-inspiring and fascinating ways. Movies about the Bible are not-rare, but they're not common either. The best stories that express belief in an Almighty spirit and hook the viewer's interest in the subject are the movies that do not tell you to believe because they say so, but the ones that show you to believe. One of my favorite movies of all time is Cecil B. DeMille's The Ten Commandments from 1957 starring Charlton Heston as Moses, the Hebrew slave who returns to Egypt to free his people, adapted from the the Book of Genesis from the Old Testament, I believe.. That movie would be enough to provoke for any young boy or girl to find God and believe in something. The special effects, the sets, and the story capture your imagination and make you truly wonder about the existence of God to the point that you'd want to get out to your local Sunday service and be a part of it.

God's Not Dead does the complete opposite of that. It descends into full-on cult status for alienating non-believers or potential believers by saying "Yes, God exists, and the people who don't believe have bad things happen to them or are inherently bad people." That sends a lot of poor messages about who you are and what your missions are. You want potential spiritual newcomers to at least remain free-thinking, don't you? You can't possibly think transforming the Christian religion into a cult is a phenomenal marketing strategy, can you? To get a better idea, I suppose I have to take this moment and walk through the plot to better understand where the movie's coming from.
DISCLAIMER: Before I begin, I'd like to say this: I consider myself spiritual in nature, living in a Catholic home and frequenting Christmas Mass, but I was never baptised so I'm not technically Catholic myself. I don't consider myself a practitioner, nor am I Biblically inclined. I don't know what book is in what Testament in what order, I don't know what the Gospel is, I don't know the name of Jesus' disciples, and I'm not aware of what exactly is the need for ten thousand different translations or wordings of the Bible itself. With that out of the way, let's begin...
So the movie's "story" starts when our main character Josh Wheaton, though the other characters slur his last name into "Whedon", which makes me think this Aeropostale poster-boy is the guy behind The Avengers, registers for a philosophy class in college as a freshman. During his first day of class, we see his professor, Jeffrey Radisson (played ironically by Kevin Sorbo, one of the most devout actors in the world) pass around a sheet and forces his students to sign it. What exactly are they signing? It's stated that they're signing a sheet that says that God is dead and they accept it. If they don't sign it, Sorbo says he'll fail them.

Now, take that in for a second. Something about this paper just makes me have a problem with something, I can't recall what it is...oh right, LOGIC! THE CONSTITUTION! COMMON SENSE! FREE WILL THINKING! When this scene started unfolding, my brain shut off. Where in the name of ass does this complete mess of a story even begin to make sense? Did these dickhead writers take even ONE college course? Did they watch ONE episode of Saved by the Bell: The College Years?College. Doesn't. Happen like that.

First off, a college philosophy professor who so happens to be an atheist is about as stock as it gets. The only thing more predictable is if he happened to be some sort of scientist. Secondly, since when is forcing a classroom of fifty-plus to sign a paper saying they agree with you on your train of thought, no matter what it is, or else he'll fail you, even remotely okay? Wouldn't someone catch whiff of this happening? This probably isn't Kevin Sorbo's first semester teaching either. He's probably done this for all of the other semesters, which means if common sense flows through humans like I hope it does, he would've been fired a long time ago for pulling that shit. Again, this movie likes to throw free will out the window in favor of playing the propaganda card and flat-out telling you what to think and believe, rather than let you do the smart, healthy thing and go on a journey of self-discovery. Thirdly, and this is a big one; Josh is the only person in a room of fifty-plus who refuses to sign it. Whoa. Mind blown. You're telling me that in a room of that many people, only one kid is a devout believer who's brave enough to stand up to this bullshit? The writer's must've been living in Sunday school because in real life, non-believers would even stand up to this tragic misuse of free speech, but also in real life this ridiculous thing wouldn't even happen in the first place because PEOPLE DON'T DO THIS, but I digress.

Actually, there are other kids in the class that care, but apparently only Josh was brave enough to have a problem with it and stand up with his issue. Now, the solution to this? Have a one-on-one in Sorbo's office to discuss his pretentious caterwauling about how God's wrong to believe in and doesn't exist and settle it like men in a "you leave me alone, I leave you alone" scenario? If you think that's the answer, you're clearly not paying attention and need to start this review over. No, Sorbo decides to donate twenty minutes of class time at the end of the next three lectures for Josh to get up in front of the class and present his reasoning to prove the existence of God. Goddammit, this movie just keeps getting more and more ridiculous. Ridiculous levels are on par with a Care Bear snorting cocaine whilst trying to teach the ABCs to GED-seeking Ritalin-addicted sex maniacs who just can't stop stealing cookies from the public snack tray during Improv class. How ridiculous is that? WAY OFF THE CHARTS RIDICULOUS. First off, what normal college class is going to donate valuable time to the professor's game of "Let's see how worthless and stupid I can make my students feel today". Granted it's a philosophy course, so these types of discussions probably occur a lot more often than we think they do. Still, in a lot of my college classes, professor's often fight tooth and nail just to save time. Having all of this free time to throw around is pretty far-fetched considering the classes I've taken. Not to mention, if anything not related to class is going on, students will get up and leave. Period. College isn't like high school where you're forced to stay. I've seen kids sit down, figure out what we're learning and get up and leave. If all of these kids don't care or are too timid to stand up to Radisson, why the name of fuck do they sit, stay and listen? I would've jetted out of that hellhole and signed up for a Philosophy class that actually devotes time to learning, not childish shenanigans.

In case this plot isn't riveting enough for you, the writers thought of that too. You see, making the whole movie about Josh and Professor Dickface would've resulted in it being about, oh...forty-five minutes long. To counteract this, there's a series of attention-stealing side plots that are just as jaw-dropping as the main plot. One of my favorite side characters is Josh's girlfriend, whose name escapes me, because she's not important enough to care about, much less remember her name. She's mad because Josh decided to stand up for what he believes in and has apparently "committed academic suicide" by doing so. Really? In just his freshman year? Listen up, writers; if this college is like any other college I've been to or even heard of, failing one Philosophy class in your freshman year is nowhere near academic suicide, even if Philosophy's already your declared major. You could most certainly retake it, and because it's a freshman level course, that leads me to believe that there are about twenty other professors who teach the same class, so you could definitely retake it with a DIFFERENT GUY; probably one that's not a complete tool, too! In fact, Josh had a chance to! When he's picking professors, the kid handling his registration says he should pick a different professor because of Radisson's apparent reputation as an atheist, but Josh comes up with the no-brainer retort of "...if I choose a different professor, I'll have to rearrange my whole schedule." Apparently Josh also didn't get the memo that it's his freshman year, so there's only once again about twenty-ish professors per class for him to choose from which would allow for an easy-as-hell reworking of his schedule...

So, not only does Josh's no-name honey believe that, but she's also a complete loony because she actually uses the phrase "I'm sorry I had the first fifty years of our lives planned out", which is a little scary...okay no, that's really fucking scary. Forget clingy; this girl is that soaked piece of toilet paper you're trying to wipe off of your porcelain bathtub. Yep...that stuck.

So Josh sticks to his guns, and she dumps him. Yep, she dumps him for defending his beliefs. Remember that one stuck-up prune that fucked every guy in high school except for you? I guess the writer does, because he must have based Josh's girlfriend on her. This girl is so shallow, she's not even at kiddie-pool depth yet. She's at a depth of "I just turned on the faucet to make sure water was coming out". Not only that, but Josh isn't even remotely effected by it. She dumps him and after brief contemplation, he's just like "Okay..." Remember guys, your girlfriend is important, but God is important-er. Were these two even in love? I don't think so. They certainly don't act like it. He's all "Me, me, me" with his beliefs and she's all "Me, me, me" with everything about the relationship because of how controlling she is, and there was not "We, we, we" this whole time.

Next side plot character? Mina. Jesus Christ (no pun intended) is she a dead-end character. She's Kevin Sorbo's girlfriend in the movie, which is weird because despite however old she actually is, she looks twenty-seven and he's like...fifty-five, so even if she is age-appropriate, she doesn't look age appropriate and it looks creepy as all get-out. She is clearly just shoehorned into the movie so that the Christian viewers have another reason to hate atheists...you know, like this movie didn't give them enough reasons. She suffers constant emotional abuse by Radisson because of his atheism and her devout Christian beliefs (because that's all atheists fill their time with...hate), and like a spineless wimp she sits there and just takes it. There's a scene where she serves wine to a dinner party hosted by her and Sorbo that a bunch of Sorbo's colleagues attend (who all, for the sake of pushing another bullshit message, happen to be atheist) that she accidentally left in the trunk of her car, and everybody hates it. Not only that, but they start mocking her and making jokes, including a "Grapes of Wrath" pun that makes me wanna French-kiss a power outlet. The creme of the crop? Sorbo laughs with the hecklers and at his girlfriend... Stop it. Just stop it. If you're trying to make me hate Kevin Sorbo it's not gonna happen. I'll just watch a re-run of Hercules and fall back in love with him instantly. The message that atheists are nothing more than hateful jackrabbits is hit into my skull so much, which is so not true in so many respects, that it's hard to take the whole of this shit seriously. You can't take anything seriously. This is like the play somebody writes when a kid bullies them too hard and bases the main character off of that bully and makes him out to be a giant prick. It's unfair to the audience how much hate is being leveled here. I thought Christianity was about loving thy neighbor and all men being made equal in the eyes of the Lord? When did that go out the window?

Next we have Mark, Mina's brother. He's only here because he's Mina's brother, and that's it. Oh wait, did I mention he's an atheist and played up to be a bad guy? Oh yeah, you probably don't fucking need to be told anymore. God, I hate this movie. He's played by Superman dropout Dean Cain of all people, and has a role rather small, thankfully. Unfortunately, so is his impact. Together with Mina, he has a mother sickened with Alzheimer's disease. He refuses to see her because he wants to remember how she was, and not how she is now, but eventually has a change of heart and visits her anyway, only to somewhat mock her because he's not a believer and he's rich and she's a believer and she has Alzheimer's so...ha ha? He even spouts a horrible line that goes something like "If she can answer what three plus three is, I'll come visit her", which is...just an awful thing to do in both life and to your ailing mother.

Mark's other big plot occurrence is his girlfriend Amy, who is devout. Ugh. Another Christian-atheist couple. Do you get the feeling that the writer's hate atheists yet? Do you get the feeling they aren't even trying to write a good story anymore? If you think you're still watching a movie, you need to put down the Book and think for yourself for once. Do some independent thought; trust me, it's good for you. This isn't a movie; this stopped being a movie so long ago. No, this is an internet rant on atheists that got adapted into a two-hour clip show of atheists supposedly doing what they do best which is live without love, and hurt those that live with love. So in case this movie still can't convince you that atheists are hateful swine that don't deserve to share God's planet with you, Dean Cain dumps Amy because she gets diagnosed with cancer...

There are no words to describe my anger for how atheists are being treated right now. I have no words. This is without a doubt the worst movie ever written. I'll say it. The dialogue card is played unfairly in the Christian light so that the devout characters have all the whimsical lines and character development while the atheists, the ones whose characters need development and would have much bigger and better payoffs and make this movie worthwhile, are mistreated so badly. They're your one-dimensional stock villains that do evil things because they're evil. That's it. It brings my piss to a boil on how astronomically fucked up this whole thing is. What makes me even angrier is that fact that there are people out there who think this is all tried and true.

Let's just speed round the rest of these fun-bags because I'm already tired of reviewing this mess. There's the two reverends, Reverend Dave and Reverend Jude, who decide to spend a few days together and go to Disney World. They act oddly homosexual which threw me for a loop because I thought "No pastor would allow this into the movie". They get in a car, and it doesn't start. Odd, so they get a rental car, and it doesn't start. Alright, I think I know where this is going...it's because they're secretly gay, right? Being gay is wrong in the eyes of Jesus, right? Well no, once they believe hard enough the car starts and the leave just fine. So...was that a side plot? Did the movie just distract us for ten minutes? Was that an internet ad for the Church of Christ while the movie buffers? I don't get it. It almost feels like it doesn't belong. The only reason this ordeal exists is because these two are the ones who help Radisson in the end of the movie. Without this scene, you wouldn't even know who these two are? Their impact in the movie is zilch.

Finally, there's Ayisha, a girl raised Muslim her whole life by her traditional Muslim father--OH WAIT! Let me guess! She's secretly interested in or has already joined Christianity and her dad finds out and something really bad happens?! Ding, ding, ding...we have a winner. Her brother catches her listening to Billy Graham's son Franklin on her iPod and rats on her. She gets kicked out of her house by her father after he beats her and she ends up at Reverend Dude's church where he says that it doesn't matter if she doesn't have a roof over her head or food to eat, so long as she has God. Interesting theory, movie; logic tries to fight you on that one, but I'll let you have that one because I'm just that nice'a guy. First of all, many times what can happen is that Christians in Muslim households, especially women, are KILLED for this. Why would her little brother rat her out when this could very well happen? You could argue that he doesn't understand that this could happen, but he's sure as hell going to regret it if it did. Secondly, how does her little brother know who Franklin Graham is? Is he a secret listener too? Some would say he's famous, but I didn't know who he was before I viewed this mess, so that's not true. You know, that almost negates the first argument. If her brother understands the difference between Christianity and Islam and why both parties aren't very tolerable of one another, he goddamn jolly-well should understand the implications of what could happen by ratting out his sister.

So you probably wanna know how the main plot ends, right? Well unfortunately, a killing spree isn't involved. Like you're probably expecting, there's a slight payoff, and it's taken away from a ludicrous event. To sum it all up, Josh's debates with the professor don't start off as planned. Josh's overly decorated PowerPoints fail to impress his classmates and Radisson. The second debate ends up the same way, with Josh coming up with some valid points and Radisson shuts him down again. The third debate ends with Josh, of course, inspiring some of his classmates by beating Radisson in the debate by forcing him to admit that God does in fact exist, and he just hates Him for his mother dying despite his constant prayer. Because of all of that, he is a religious recluse and trashes the ideals of spiritual nutcases everywhere. However, somewhere after the event of of Josh proving him wrong, Radisson finds a letter from his mother that re-inspires his faith and he goes to the Newsboys concert at the end of the movie to confess his true love for Mina and that he loves her for who she is, (By the way, I failed to mention that's the big payoff of the movie. The Christian rock band Newsboys performs their song "God's Not Dead" and dedicate it to Josh for his role in standing up to those mean ol' atheists), regardless of her religion. Hooray! His arc is complete! Something was actually completed in this movie! He actually has a complete arc of--, oh wait he's killed off. Son of a BITCH!!!

I have a few problems with Radisson's death in the movie. The biggest is that his change of character is not only ill-advised but also not likely. Let's think about this: A man who's lived part of his life initially believing in Christ, then denouncing and living a larger part of his life as an atheist and thus not believing in an Almighty Spirit of any kind, just all of a sudden decides that for the good of his relationship and his career to re-accept Christ as his Lord and savior whilst dying in the street from internal injuries suffered from getting hit by a car, is just ludicrously insulting. First off, it's a little cheap for the writers to allow Radisson to have this all-important realization and re-acceptance of faith just to kill him off anyway. If Radisson was the Radisson of real-life, he would've died on that street telling Reverend Dave to go eat a dick and curse God's name unto death. What happened to his moral crusade against God? He just gave up? Are you serious? His twenty-plus year as a Jesus hater was suddenly dropped because he had a slight epiphany reading a letter from his mother? So he decides to be a good person, and being a good person means accepting Christ into your life until you're dead. This is the payoff. You cannot be a good person, unless you accept Jesus into your life. It is impossible. Boom. Message delivered. Roll credits.

Even if Radisson didn't accept Jesus back into his life, he could've still had a change of heart and just simply stopped acting like an asshat. That's it! That pay off would've given a lot better message. Holy cow I'm a genius. To live with love somehow without Jesus in your life. It is possible, people. Same with Mark and Amy. Mark and Amy could've reconciled (although she would be wise to reject him seeing as how he dumped her for something happening to her of fate, not of choice) and that would've said a lot about Mark and how far he's come. Instead, Mark has no payoff. Mark's just an asshole. Why? You already fucking know why, because he's atheist. Same stupid message the movie's told you for the last two hours. Radisson has a somewhat payoff, but it's half-assed and rushed.. He could've just stopped acting like an butt clown and learned to love in his heart without accepting Jesus in his life, but also realized the love Jesus brings to his wife and accepted that. What a great payoff that would've been, but that's not what this movie's about is it? This movie is all about telling us that Jesus is the only one who can make you a good person. Being a good person isn't something you're born to do or skills you learn, it's only something you inherit from becoming a devout follower of Christ. Blow. Me. Sideways.

I'm not saying religion is bad for your mind, far from it; but I am saying that this movie could have a ton more leeway on its messages. It portrays Christians as being open-hearted lovers who only want the atheists to understand their beliefs, which holds true to real life, but it won't let that message get across because the movie won't allow atheists to have a change of heart because it tells us atheists can't have a change of heart. They're all heartless. The only atheist to have anything close to a change of heart is Radisson, and this movie teaches him a lesson for his years of Bible abuse by killing him.

FINAL RATING:
<* = 0.2 out of 5 stars: God's Not Dead is a horribly-written, badly-acted, mish-mash of random events that are disjointed and lack universally-relatable, down to Earth characters. The movie favors a propaganda approach to storytelling over eventual payoffs, completion of character arcs, and hopeful reconciliations that emotionally would've paid off in far better ways. It teaches us that atheists are shallow, cold-hearted, loveless people who would rather see the ideals of God destroyed than simply agree to disagree and coexist as the Almighty truly intends. It leaves the idea that all people could get along, regardless of religion or creed at the front door to deliver two hours of loathsome dialogue, horrendously laughable character situations, and cheap tying-up of loose ends. It no doubt resides in the hearts of close-minded buffoons who share the same narrow-sighted ideals and view this laid-egg as a stand-up entertainment and all-important media

The rating would be 0, but I just watched a clip of the TV show Hercules, so Kevin Sorbo gives the movie 0.2.

Friday, December 19, 2014

An Epic Star Wars Retrospect: "Star Wars (later Episode IV: A New Hope)", 1977



Hello again! Welcome back. Today, it dawned on me. While the Star Wars films are some of my favorite films in the history of everything to watch, I've never done an in-depth retrospective on any of them. I know I've tried in the past, but the reviews only ended up as audio files that lasted two or three minutes. Instead, I decided to try my hand at tackling Star Wars in this format here.


The next thing I wondered is how to review Star Wars effectively. At first I thought just touch on the six movies and be done. However, then I started thinking that everyone will want to hear my opinions on the 1995 LaserDisc films, 1997 special editions, the 2004 DVDs, the limited edition 2006 DVDs, and of course the 2011 Blu-rays. So, I'm going to do just that, I'm gonna tackle all the major releases of the six films that I at least acknowledge as such. First off, let's start with the actual review of the films, in their theatrical glory.

"Star Wars", 1977
A long time ago in a galaxy far, far away...

The first Star Wars film took the world by storm. No joke. We think movies today have giant releases with well-hyped media outlets, Star Wars created that vibe. Not at first, however. Before Star Wars, the indignities of the Vietnam War coupled with the American people's lacking of trust in their leaders and their government had the country in a dark place in time. It was a time when movies in Hollywood were more realistic and featured grim displays if then-modern day America.

Coming from California, a young filmmaker by the name of George Lucas had just finished his film American Graffiti and was shopping a new screenplay around to execs all over Hollywood. Alan Ladd, Jr. at 20th Century Fox funded Lucas's vision and the legendary film was created. May 25th, 1977 was a day the world will never forget.

The Characters
L-R: Mark Hamill as Luke Skywalker, Carrie Fisher as
Princess Leia, and Harrison Ford as Han Solo
You have three main characters in the story of Star Wars. First, Luke Skywalker, the farm boy and the would-be hero of the story. He's played by then relatively-unknown actor Mark Hamill, known today for his voice work as DC Comics super villain the Joker. Then comes C-3PO and R2-D2, the two droids carrying the plans to the princess on Alderaan, both brilliantly brought to live by Anthony Daniels and Kenny Baker, respectively. One of the most notable roles in the film was of old Jedi master Obi-Wan "Ben" Kenobi, played by Sir Alec Guinness. Different reports dispute whether or not Guinness was satisfied with his casting as Obi-Wan or if he enjoyed it; I personally believe he enjoyed it to an extent that he hoped it wouldn't eclipse the other work in his career.

The second main character, Han Solo, is played by Harrison Ford, also an unknown at the time. He's a smug space pirate who only worries about himself and gets in bad dealings and apparently has a price on his head. His Wookie pal Chewbacca is played by Peter Mayhew, who has played Chewbacca in every live-action instance of him since. Princess Leia, the third main character of the film, is played by Carrie Fisher. She's another main focus of the story, seeing as how R2's mission is one she gave to him and the plans could be hers.

Sir Alec Guinness as Obi-Wan "Ben" Kenobi

On the other side of the spectrum, there's the evil Darth Vader, played by David Prowse and voiced by James Earl Jones. He's a mysterious figure in all-black armor who appears to have once been a Jedi Knight, as Obi-Wan reveals that Vader was once his apprentice who betrayed him and helped the Empire hunt down and destroy all the Jedi Knights, including one who was Luke Skywalker's father.
Then you have Vader's boss Grand Moff Tarkin, played by Peter Cushing. He's nothing more than a stock lead bad guy, but he's more memorable because of Peter Cushing's performance.




The Story
"The story of Star Wars is that of farm boy Luke Skywalker who essentially dreams of being among the stars and fighting the war against the evil Galactic Empire. When two droids, C-3PO and R2-D2, crash land on his home planet of Tatooine carrying secret plans to the Empire's ultimate weapon, and are then purchased for work by Luke's uncle on his farm, Luke goes with them to seek out an old sage on his planet by the name of Ben Kenobi. After learning of Kenobi's whereabouts, Luke's aunt and uncle are killed by the Imperial forces in search of the droids. Luke decides to go with Kenobi to Mos Eisley spaceport to hire a pilot to take them to Alderaan, the home planet of Princess Leia Organa, custodian of the stolen plans who programmed R2-D2 for his mission. Here, they meet smuggler Han Solo and his co-pilot Chewbacca. Together, they take Han's ship, the Millennium Falcon, and travel to Alderaan. Along the way they are intercepted by the Empire's weapon, the Death Star, a giant space station capable of destroying a planet with one use of its super laser. On board, they encounter Darth Vader, a mysterious enemy who was once himself a Jedi and know a Dark Lord of the Sith for the Empire. Obi-Wan sacrifices himself to save Luke, Leia and Han and together with the Rebel Alliance, they launch an assault on and destroy the Death Star. Luke and Han are praised as heroes and the film ends."

Darth Vader, played by David Prowse and voiced by
James Earl Jones

This was a lot for 1977 audiences to take in, and here's why. When Star Wars begins, there's an opening crawl that fills us in on events on what has occurred prior to the start of this film, whether they immediately occurred before the film or occurred many years prior. So in 1977, when you watch Star Wars, the crawl is your back story, and then you're thrown directly into a raging battle between the Galactic Empire and the Rebel Alliance. I'm not saying its impossible to follow. In fact, its brilliant! Lucas didn't wanna waste anyone's time telling a back story to the events of the film. Throwing them in the middle of the action and creating a story out of a war that is already raging is a great tactic for story-telling. Having to set up the Galactic Civil War setting and warring factions for the story to take place in would've taken at least 3-4 films prior (wink, wink)...

Think of it this way. Imagine no expanded universe. Imagine no prequels or TV shows or comic books. On May 25th, 1977, this is the ONLY form of Star Wars related material you have. The only source of story. Now, today I'm sure there are literally millions of story entries in the saga, and its almost impossible for one person to memorize and therefore encompass into their viewing.

The Special Effects
Two other aspects of the original 1977 Star Wars film I wanted to touch on were its special effects and its soundtrack. I'll start with the former.

The special effects for the original Star Wars film were the result of an $11 million budget and a lack of time for production. It also came from the fact Lucas wanted to do all the special effects for the film with his own company, and thus came Industrial, Light and Magic. The majority of, if not all of, the special effects were done with models of various animals and ships. The lasers and lightsabers were done in post-production with computers. Some of the ship relays and setups were so magnificent that when coupled with the score and the sound effects, are mesmerizing. All the shots of the ships in space, they had to rig with special relays to get it to move in the way you see it on screen.

The Soundtrack
Obviously, Star Wars was envisioned as being a space-opera film, so the opera portion was severely lacking until Lucas was able to recruit the industry's best in John Williams. Williams had recently won an Oscar for his work in Steven Spielberg's Jaws. For the film, Williams composed several themes for different characters, the most memorable being Luke's them and Obi-Wan's theme. The main title crawl for Star Wars is a rendition of Luke's theme with an interlude, but it has become one of the most recognizable film theme pieces in motion picture history. Just reading "A long time ago in a galaxy far, far away..." and then having "STAR WARS" blast through the screen and hear his triumphant march begin...all of the film's score is fantastic. Fully recommended to anyone looking for film soundtracks.

The Verdict
Fantastic. It seems like all the stars were aligned when George Lucas became intent on creating Star Wars. Everything came together perfectly, and it shows. Star Wars is not only just perfect in my eyes, but it was one of the first twenty-five films inducted for preservation in the Library of Congress' National Film Registry for being "culturally significant". It has spawned almost forty years of just wave after wave of Star Wars related media coming our way. Will there be a time when Star Wars becomes unpopular and eventually die off? I doubt it, honestly. The universe is just far too big. It has too much to encompass and even after all the loads of stories many have told using its universe, there still millions more stories to tell...and all the pages of books and comics, all the plastic going into building the toys, all the airtime used for television and especially the all the work that has gone into making the films...it all stared with this simple "space movie" that came out in 1977, and whisked audiences away to a galaxy far, far away...

Rating: ***** 5 stars out of 5 = Nothing short of a masterpiece

Friday, November 28, 2014

The New Lightsabers

So, today I was handed a link to the debut of the new Star Wars trailer. Naturally, I had to rape the replay button. I wanted to speculate as much as I can.

There's only one thing I wanna touch on, the lightsaber has cross guards now. I didn't know what to think at first. Every new addition to Star Wars has always done innovative things with the lightsaber. After all, the lightsaber is one of the primary staples of the whole franchise. When you think "Star Wars", you think of lightsabers at least once or twice. When the first trilogy of films came out in 1977, 1980 and 1983, the lightsabers were just linear hilts with energy blades. That's it. Pretty great, and then in 1999 when the trailer for Star Wars Episode I: The Phantom Menace came out, you got to see Darth Maul and his double-bladed lightsaber. In Episode II: Attack of the Clones you had Anakin Skywalker wielding two seperate lightsabers in combat. Episode III: Revenge of the Sith had nothing special but still definitely satisfying. Now that Episode VII has its teaser trailer, we see the lightsaber has cross guards. It's great. I think it's definitely ballsy to try and change the lightsaber again. Pretty soon we'll have dozens of different kinds of lightsabers.

Nobody gonna stop me wit my cross guards

Tuesday, November 4, 2014

A Bill & Ted retrospect, Part II: "The Bogus Journey"

When Bill & Ted's Excellent Adventure came out in 1988, it stood as one of my films to be forever associated with the 80's. No one would ever guess that movie came from a different decade.

Fast forward to the year 1990. It has been two years since the release of the previous film. The 80's are now in America's memory as a decade where everyone just wanted to have fun. Chris Matheson and Ed Solomon, the writers of the first film begin to write a sequel. Pete Hewitt joins the production with it being only his second directorial effort. The stage is set for a 1991 release.

THE PLOT

L-R: Bill, Death and ted
The film takes place three years after the first film. I guess the movies also progress in real time. Bill and Ted are living in their own apartment and trying to enter the local Battle of the Bands competition to win a recording contract and start their careers as rock superstars. However, fast forward to the year 2691. A man by the name of Chuck De Nomolos has orchestrated a plot to change the Wyld Stallyns' fate forever by creating two evil androids of Bill and Ted and sending them back in time to 1991 San Dimas to, as the robots themselves said, "totally kill Bill & Ted, take over their lives and utterly destroy them". They then would play the Battle of the Bands competition themselves and give a speech that would've immortalized the duo, but instead destroy their images and prevent them from become rock phenoms.

After the robots succeed in killing Bill and Ted under false pretenses, the duo attempt to reenter their lives, refusing to believe their dead; even dodging the Grim Reaper along the way. However, they soon learn that no one can any longer see them or hear them. During a false attempt to communicate with people during a seance, Bill and Ted are banished and they're sent to Hell. That's right, Hell. As in the Hell. When they arrive, they each view their own personal Hell, and realize the ultimatum. They play the Grim Reaper in a series of games to determine whether, right out of The Seventh Seal.

THE CHARACTERS
While Bill & Ted's Excellent Adventure had a bizarre cast of characters, it worked so well because you were creating scenarios in your head the whole way throughout the movie about what it would be like if those historical figures actually met each other. Bill & Ted's Bogus Journey on the other hand, takes characters that exist on a different plane, or don't exist at all and mixes them together.

Death (William Sadler) playing Clue with Bill and Ted
First off, Alex Winter and Keanu Reeves return as Bill and Ted, and rightfully so because these movies would not be even watchable without those two. Next, George Carlin returns as Rufus. Except this time he's not a "sage" like character. Instead, he sort of joins Bill and Ted on their adventure. He's not offering advice to them like the last film, because he has none. This is as much his enemy as it is theirs.

Next, William Sadler was brought in to do the stellar portrayal of the Grim Reaper. The Reaper, or "Death" as he is often referred to in the film, first starts out as we've all imagined him. An embodiment of a ferry that helps souls travel to the afterlife. Soon, the movie takes a wicked crazy turn when it turns him into a comedic punchline and a personal friend of Bill and Ted...and even a member of their band at the very end. Joss Ackland joins the cast as Chuck De Nomolos, the villain of the film. He's on a one-man mission to eliminate Bill and Ted from the history books and rewrite himself as humanity's new salvation, with the aid of the evil robot Bill and Ted, both played Alex Winter and Keanu Reeves.

The princesses form Medieval England have also returned from the first film, but they're different actresses. They're your typical damsels in distress. Capt. Logan returns, still played by Hal Landon, Jr. Amy Stock-Poynton returns as Bill's stepmom, Missy...who strangely enough has divorced Bill's dad and married Ted's.

Evil Bill & Evil Ted, still played by Winter and Reeves

Aside from them you have nameless actors voicing God, the Devil and various other small characters. All in all, the movie was thrown into a wicked different direction, character-wise. Instead of having a funny-lighthearted tone to the characters, they all seem like darker clones of themselves. Even Bill and Ted started dressing in grunge clothes. Still, I can't complain. The update was necessary. Trying to make sequel to 80's movie both produced and set in 1991 wasn't easy, so they had to update with the times. It worked well! Everything seems very grunge and very dark. A new step in a different direction that was surprisingly satisfying.

THE SOUNDTRACK
The soundtrack is essentially the same type of music; hard rock and heavy metal. Easily my favorite song off the soundtrack is Winger's contribution of "Battle Stations". In the film it plays when a Martian Bill and Ted meet in heaven (ironically named "Station") purchases hardware supplies to build "Good Robots Bill & Ted" and build them in the back of their van. It's a great montage and the song is fantastic.

THE VERDICT
Bill & Ted's Bogus Journey is a mixed bag. Personally, I love it almost as much as Excellent Adventure. However, I've met a few people that love the first movie and don't like this one very much. It's a commonplace with sequels to be inferior to the first film, but for me, Bogus Journey is just as entertaining. Its just a different film altogether. Its filmed differently, the characters are different, the mood is different; the adventure is the main difference, and that's the key point here. It is a complete one-eighty from the previous film. Two very different quests with very different characters make for two very different films, and that's fine for anyone's preference.

4.25 stars out of 5: Bill & Ted's Bogus Journey, while not as strong as the first film in its overall presentation, will still leave you satisfied and give you a wild ride of an adventure.




Friday, October 31, 2014

Halloween: The Night He Came Home...

It's that wonderful time again. Black cats, goblins, ghouls and vampires; a lot of the emo kids and kids with problems will tell you that this is their favorite time of year. Me? I enjoy the leaves, the ambience that horror movies allow, and football.

Michael Myers

In going to the horror movie aspect, you can't have a single horror movie marathon without including at least one of the Halloween films. These films set the archetype for horror films for both me personally and for the horror film-going public. In fact, the original Halloween set the stage for what would later become the "slasher" genre. (For those who don't know, "slasher" films are horror films with a body count).

Anywho, for this year's Halloween, I've taken it upon myself to go ahead and do a quick rundown of the Halloween films. Next year I'm thinking about doing in depth reviews of them, but for now since it's the last day of the horror movie season, I'll just stick with...let's say a countdown of which ones I think are best. I'll split them up into the "5 worth watching" and the "5 worth hating". Let's get this going! 

5 "Halloween" Films Worth Watching

1. Halloween
Release date: October 25th, 1978
Directed by: John Carpenter

I mean, right? How can you watch the Halloween films without including the classic that started it all? The original Halloween, as stated, set the bar for how slasher movies should be done. Set in a rural mid-western town on Halloween night, it perfectly sets the tone for the night that's about to go to hell. I won't go too much into the story, I'll save that for a detailed review next year. The film stars Jamie Lee Curtis in her first film role, and as well as Donald Pleasence. The film tells the story of Michael Myers, a six-year old who slaughters his sister Judith on Halloween night, 1963 and how on 1978, he escapes captivity to return home to Haddonfield to kill again. Fantastic start to the series.
Donald Pleasence as Dr. Samuel Loomis

2. Halloween II
Release date: October 30th, 1981
Directed by: Rick Rosenthal

The sequel, Halloween II released in 1981 takes place on the same Halloween night as the first movie. In fact, it was marketed as "More of the night he came home". Jamie Lee Curtis and Donald Pleasence return to their respective roles as Laurie Strode and Dr. Samuel Loomis. While Laurie is transferred to the Haddonfield Hospital to recuperate from her injuries sustained in the first film, Loomis leads a town-wide manhunt in search for Michael. It's a fantastic entry in the series and leaves you wanting more.

3. Halloween 4: The Return of Michael Myers
Release date: October 21st, 1988
Directed by: Dwight H. Little

The third sequel in the series brings back Michael Myers for the 10th anniversary of the first murders in 1978. After the commercial failure of Halloween III: Season of the Witch, which attempted to take the series in a new direction, Halloween 4: The Return of Michael Myers was produced and released more as appeasement to the fans than anything. Donald Pleasence returns as Dr. Loomis, still on the hunt for ending Myers. Jamie Lee Curtis wasn't brought back, so producers hired young Danielle Harris as Jamie Lloyd, Michael's niece and new target. Fortunately for the producers, the movie was instantly regarded by many (myself included) as one of the greatest in the series. The ambiance of the movie, the chilling score, and the atmosphere of the quiet town makes for a great fright fest. The 80's was such a great time for horror movies.

4. Halloween III: The Season of the Witch
Release date: October 22nd, 1982
Directed by: Tommy Lee Wallace

Say whaaat? Halloween III? That's right, and here's why. Just last Halloween only, I caught it on TV, and I was hooked. Not to the point where I'd run out and buy a copy of it, but it wasn't as awful as people make it out to be. "What? No Michael Myers? BURN IT!" On the contrary, I enjoyed this one. Its its own thing. What had happened was during the production of Halloween II, the producers decided to turn Halloween into a horror anthology series, such as the Tales of the Crypt comic books. It was a great idea, and because of that, we got Halloween III

5. Halloween
Release date: August 31st, 2007
Directed by: Rob Zombie

When word came around the grapevine that they were going to produce a remake of Halloween, I was skeptical and upset. I never thought for a second that the remake was going to be anything special. When I heard Rob Zombie was named the director for it, I got a little better. The director of The Devil's Rejects remaking one of my favorite horror films? How could it go wrong? You got Malcolm McDowell playing Dr. Loomis and Brad Dourif as Sheriff Brackett. Well it didn't. Rob Zombie's Halloween is one of the best horror remakes you could ask for. Sure, there are some goofy things in it and some stupid things but still, it really could've been a hell of a lot worse. Still, when I do a detailed review later, I'll give you the 4-1-1 on what it is. For now, I say watch it.


5 "Halloween" Films Worth Hating

1. Halloween 5: The Revenge of Michael Myers
Release date: October 13th, 1989
Directed by: Dominique Othenin-Girard

Halloween 4 was a such a great success upon release, that the producers rushed the next sequel into production and had it out less than a year later...and believe me, it looks like something I'd turn in for homework, it's got such a bad "rushed feeling". Donald Pleasence is back for his fourth round as Dr. Loomis, and Danielle Harris returns as Jamie Lloyd. This movie takes place exactly one year after the events of Halloween 4. Michael continues to hunt Jamie, but now, a mysterious man in black shows up in Haddonfield and starts following Michael and Loomis around. The ending is horrifically ambiguous, and just sets up another sequel. Without going too much into detail, let me just say this: You can watch this one. After all, it's one I own. Just know, to both the common Halloween film and the average film goer, it'll be nothing special.

2. Halloween: The Curse of Michael Myers
Release date: September 29th, 1995
Directed by: Joe Chappelle

The sixth film in the series is often considered, especially by me, to be the second-worst or worst (depending on who you talk to) entry in the series. Released six years after Halloween 5, Halloween: The Curse of Michael Myers tries its damnedest to follow up on the previous film's ambiguous ending, and fails. It doesn't fail miserably, but let's just say the first time the film was test-screened, the studio hated it so much it was put back into production with orders to film new scenes and completely change the plot. Donald Pleasence, frail as he was, returned for the fifth and final time as Dr. Loomis. When the film was ordered into reshoots, Pleasence died before reshoots were to commence, so the studio had no choice but to use existing footage and awkwardly cram it into the film. So the film is half what it was supposed to be, half what the studio tried changing it to. It creates a jumbled, confusing mess that solves next to nothing in the mythos. I know there's more to talk about...next time...For now though, skip it.

3. Halloween H20: Twenty Years Later
Release date: August 5th, 1998
Directed by: Steve Miner

Despite the fact Donald Pleasence died, the studio pressed on and another sequel was commenced. This time, they were able to convince Jamie Lee Curtis, star of Halloween and Halloween II, to return to the series. The film also marks the first time a Michael Myers-centered film didn't take place in Haddonfield. Instead, it takes place in a boarding school in California. Michael's mask looks utterly stupid in this film, but it's totally overlooked by the fact that Laurie is back and kicks so much ass. This time, they also tried an ending that would end the series for good. By the time the 90's began (certainly by 1998), the cheesy 80's slasher genre had become tired and stale. Halloween H20 was no better off than any of the other Friday the 13th or Nightmare on Elm Street sequels coming out at the time, and because of that, while being a financial success, the film was panned by both critics and group of fans. I say give it a try, but don't expect too much.

4. Halloween: Resurrection
Release date: July 12th, 2002
Directed by: Rick Rosenthal

Even though they tried to end the series with Halloween H20, this partial abortion known as Halloween: Resurrection still found its way to theaters. Released the same year as Jason X, proving that 80's slasher genres had now completely given up, Halloween: Resurrection tried to be a lot, and failed. It added an MTV-style reality show touch to it, it had both Busta Rhymes and Tyra Banks in it, and it featured a fresh new cast with no ties to the original films. Except of course Jamie Lee Curtis' cameo in the beginning with her fourth roundabout as Laurie Strode. She's killed. Yep, that's right. She stars in the first ten minutes, just to be whacked. It's not fair to her character, but you know...Hollywood's nothing more than cum-guzzling whore at this point. I'd say skip this one...skip it or just watch it whilst treating it as a spoof.

5. Halloween II
Release date: August 28th, 2009
Directed by: Rob Zombie

I'm still not exactly sure how Rob Zombie found it in himself to make one of the best horror remakes in film history with Halloween, and then make a sequel to it that sucked so much ass, we treat Halloween II as a partial abortion we had to finish off. I know that's sick and morbid, but there's nothing even remotely cheerful about this film. The story is depressing, the characters are depressing, and even the ending doesn't solve any of it. It's just a giant, depressing crap fest. The principal actors from the first film return, but that only helps slightly. If none of the actors from the first film were there, I probably wouldn't even count this movie as a Halloween movie, nor would I even consider it worth watching. I mean, all Laurie does is cry, all Annie does is die, all Loomis does is turn into a conning bullshit artist, and Brackett is the guy there trying to keep it all together. Then there's the whole "White horse" bullshit that makes the film feel like an acid trip. The movie just tries to be far too many things. It just doesn't work. The things it tries to be don't mesh well together. Just skip this one. Skip it for the love of humanity.