Saturday, January 16, 2016

What Order Should the Star Wars Saga Be Watched In For the First Time?

I'm still on a Star Wars kick. This could be the last one for a while, I promise. I just wanted to ask the question: "What order should the Star Wars episodes be viewed in for someone's first time?" It's not as simple as just "Oh, watch them in chronological order". There's an art to picking a sequence of the films to view the saga in. In this post, we'll briefly go over the different viewing orders, why they're important, and which one I think works the best:

  • Chronological Order: We'll get the no-brainer out of the way first. George Lucas wasn't a sheep; he didn't number the freakin' movies for nothing. The purpose of the episode number at the beginning of each film (in the prequels' cases, in the fuckin' title) is to tell you where this portion of the saga takes place, and thus aids in your viewing order. Prequels, then the originals, then the sequels.
  • Production Order: This refers to the order in which the films were produced, not where they take place in the timeline. You watch Star Wars, The Empire Strikes Back, and Return of the Jedi, and then go back and watch Episode I: The Phantom Menace, Episode II: Attack of the Clones and Episode III: Revenge of the Sith, and then skip back forward and and watch The Force Awakens.
  • "Flashback" Order: This is a new order that's interesting in its presentation. It salvages the reveal of Darth Vader being Luke Skywalker's father, and before throwing Jedi at you, you go back and watch the prequels, and then get to Jedi. The flashback order works well for a great sense of adventure, and I have yet to view it, but I do have opinions...
  • "Fuck the Prequels" Order: This one's self-explanatory. You get the really grumpy fans out there who would love to see the digital negatives of the Star Wars prequels doused in gasoline and torched out of existence forever. This one you simply watch Star Wars, Empire and Jedi, skip the prequels, and go straight forward to Force Awakens.
  • "Any-Order-You-Want" Order: This one's also self-explanatory. Just pick a random one and follow it up with another random one. Star Wars, then Episode I, then Jedi, then Episode III...it doesn't matter at all if you're this carefree.

Before we wrap up, I have opinions. Wouldn't be my blog if I didn't. I'll start off by saying the Production Order is the best way to do it, and though I haven't done it yet, the idea behind and potential experience of the Flashback Order earns it a close second. People give me shit when I say this will be how I'll introduce my kids to Star Wars. They tell me to just play it safe and secure and show them the Chronological Order. However, I feel the chronological order actually robs from the saga, mostly for the reason that the biggest reveal in the franchise, Darth Vader being Luke Skywalker's father, has it's shock value in the reveal totally destroyed. Explaining everything off of the bat sucks the mystery out of the story. Sure you get a nice, cohesive flow of exposition and narrative plot that leaves your mind calmed that everything is answered as you go along...but what happened top people's senses of adventure? People from 1983 to 1999 didn't need all of the backstory explained! People act today like the prequels are a crutch now, which is just what George Lucas was hoping for. People are like "I can't watch the originals without watching the prequels first". That's fair, I'm not going to argue that you're an big dumb idiot jackass face, but I will slap my elitist headband on and claim that you've lost your sense of movie-going adventure. Do we forget that movies are meant to be experiences? Not a way to just kill two hours. What if before Raiders of the Lost Ark, I make you sit through all of the episodes of The Young Indiana Jones Chronicles before you even get to touch the Raiders Blu-ray? You'd probably want to kill me. In fact, if chronological order is what's popular now, I'd have to make you watch Indiana Jones and the Temple of Doom before Raiders of the Lost Ark since it takes place a year before. Indy's dramatic, badass reveal in the beginning of Raiders is destroyed due to you already having met him in Temple of Doom.

There you have it. My opinion. Did I miss any orders you've seen online? Did you have an order of your own? If so, comment it below or shoot me an email.

Friday, January 15, 2016

The History of Star Wars Re-releases and Harmy's "Despecialized Editions"


Because I put the ax on my Epic Star Wars retrospective (I'd like to finish it someday), I'll say what I want to say here: The original trilogy is of Star Wars is superior, no matter how you slice it. The prequels aren't terrible, but they are underwhelming. Unless you watch them in chronological order, in which case Star Wars is laughably bad right off the bat. They aren't bad to where you can't enjoy them; trust me you can enjoy them. You just have to switch mindsets when you watch the prequels. Just pretend you're watching a satire of Star Wars. We'll get into what order to watch them in at the end.

I'm bringing this up because I miss the theatrical cuts my dad had on CBS Fox edition VHS's from the late-80's/early-90's. The original cuts. The way audiences in '77, '80 and '83 saw them. I get lambasted by my friends today for expressing my love for what I consider the better films. Star Wars at the '78 Academy Awards took home seven Oscars...SEVEN. For a silly science-fiction fantasy opera film. That's crazy!

Let's go over a history of the controversial Star Wars re-releases. In '97, Lucasfilm released "20th Anniversary Special Editions" of the films to theaters and subsequently VHS that had newly-enhanced visual effects, made some editing changes, updated the sound and resolution. These '97 Special Editions started the fateful trend, as after that, they became the only versions of the original films to purchase in stores (We'll get to Lucas and destroying original negatives another time). In 2004, just a year prior to the release of Episode III: Revenge of the Sith, the original trilogy was released on DVD for the first time ever. Fans were hoping to get DVDs that contained both the '97 Special Editions and the original theatrical cuts. What we got instead, were brand-new 2004 Special Editions, with even more editing changes, and a piss-poor automated color "correction" that would've worked better if the editors just pissed on the film itself and sold that. These 2004 DVDs were and still are notorious for their color saturation that give each of the three films a faded greenish hue. In 2006 is when people started having a problem with Lucas and Lucasfilm, and vice-versa apparently...

After fans mailed, e-mailed and petitioned Lucasfilm to re-release the original theatrical cuts on DVD, the response we got was surprisingly juvenile and asinine in nature. In 2006, Special "Limited Edition" DVDs were released one-by-one by Lucasfilm that were advertised to contain both the 2004 DVD cuts of the films and each of the films' respective theatrical cut. Fans were initially celebratory, but descended into even greater anger when we learned the truth. The "theatrical cuts" included with the '06 DVDs were the '93 LaserDisc cuts. Cuts that were so similar to the theatrical cuts, but had minor editing tweaks, music cue fixes, and color-correction. Fans were outraged, but tolerated it. It was the closest we've come back then. The '06 "Theatrical cuts" are also notorious for their horrific LaserDisc-to-DVD transfer that resulted in a non-anamorphic 4:3 ratio which means it plays in a small box on all Widescreen TVs regardless of settings, and motion-smearing caused by primitive noise-removal methods, again proving that the prized original negatives of all three original films were not apart of the 2006 DVD release.

When it was announced in late-2010 that the entire six-episode saga was going to see a prized Blu-ray boxset release at last, many would think "okay, it's Blu-ray. Blu-ray's a pretty big deal right now. Maybe this will be the time Lucasfilm gives us what we want." Alas, again we were wrong. We again, got brand new cuts of not just Star Wars, Empire and Jedi, but also Episode's I, II, and III. These are the 2011 Blu-ray cuts, and they're the ones I currently own. Unless some of my friends aren't vocal about it, I was the only one upset by this in my circles. Everybody else was like "Well it's his films, he can do what he wants/wishes", which is true to an extent. If he wants to make his films the way he wants, that's fine. Most fans won't buy them if they have the original cuts, but the fact George also lampoons the original films as "crap" and says he does the Special Editions to improve on them is bullshit. I watch the 2011 Blu-ray cut of Star Wars thinking not that it's Star Wars I'm watching, but I'm watching a copy of Star Wars. I feel like I'm watching some internet troll's fan edit of Star Wars. This isn't the original release I love and want, this is something I was dealt without a say in the matter. I had to deal with it. The originals, in their greatest form, how I loved them, were gone. I just accepted it. I wasn't going to get what I really wanted. I just awaited the next release, which came in the form 2014 All-digital release, but they were just the 2011 Blu-ray cuts again. All available for the "low, low" price of $20 per title, or $90 for the whole saga. Sorry, not the saga, the 2011 saga.

Harmy: The man behind it all
FUNNY SIDE NOTE: The 2011 updates done to the prequels always make me laugh at their irony. How can you digitally cram more shit into digitally-crammed shit? Aren't you running out of room? I get fixing the God-awful Yoda puppet in Episode I, but anything else was absolutely unnecessary. Whoops, I've even started defending the prequels...to end, check out The Phantom Edit, which is Episode's I-III edited by the fans down into an hour and forty-five minute movie. No Jar Jar, no Midichlorians, no horrendous dialogue. Two can play at that game, George my man...

Then I came across Harmy. Who's Harmy you ask, besides a messenger sent from God in heaven to prove great Star Wars still exists out there? He's a foreign internet personality who, like 90% of the other fans, missed having his original trilogy the way he loved it. He said the day he wore out his VHS copy of Star Wars was the saddest day of his life, because the only cut available then was the 2011 Blu-ray cut. Remember, each new re-release undoes the previous one and they no-longer are sold in stores. Harmy could take it no longer, and started the "Despecialized Edition" project. What was the project's goal?

Crazy! That's what it was! Harmy's ultimate mission wanted to take any source of the original theatrical cut he could, any shot that had no Special Edition changes, any shot still intact since '77 and edit them altogether, back into a cohesive film, basically undoing all of the post '93 changes done by Lucasfilm. All of the sources are listed below that Harmy used to complete this magnificent restoration of Star Wars:
  • Lucasfilm's official 2011 Blu-ray cut. All of the non-CGI portions of this cut are re-used in the final Despecialized Edition due to their already 1080p HD quality, which saved Harmy a lot of time.
  • Lucasfilm's official 2006 release of the '93 LaserDisc editions, which helped to correct Special Edition changes.
  • Project Blu's upgraded HD footage of the '93 LaserDisc editions, which helped to correct Special Edition changes.
  • Internet user Flunk's somewhat HD copy of the '97 Special Edition theatrical release, which helped with editing and correcting Special Edition changes.
  • Team Negative 1's LPP scan of an original Star Wars film reel, which helped restore a few scenes.
  • Internet user Puggo Grande's dated, worn reel of the '77 (or '81) cut of Star Wars that was miraculously digitally corrected and enhanced to 1080p HD resolution to correct Special Edition changes.
Not only did Harmy want to do this for just Star Wars, but he wanted to do it for Empire and Jedi as well! Through a lot of work, turmoil, and what I can assume blood, sweat and tears, Harmy released his "Despecialized Star Wars Editions" online via his website, which have made their way into various P2P sites. I recently came across copies of the Despecialized Editions. Here's what I think of Harmy's work:

Harmy cannot be given enough credit for what he has done. This is no joke, I'm not making this up. I swear to it. When I pulled up the Despecialized Edition of Star Wars on my laptop and began playing it, I welled up in joy. I mean full on, hand-over-my-mouth tearing up. There, I said it. This ol' asshole has a soft spot after all.

The footage was beautifully enhanced to 1080p full HD resolution and it looks absolutely stunning. My vote is definitely on them looking superior to the already HD 2011 Blu-ray cuts. Each and every scene felt like it was coming straight off that old CBS Fox VHS, except gone is the grain of VHS wear-and-tear. Here is a beautiful, all-digital presentation of a recreation of the original theatrical releases of the three original films.

The sound is what truly what deserves merit here. As good as the footage looks in all three films, the sounds are astonishingly mastered and gorgeously re-edited into their original cues, volumes, frequencies, and pitches. Harmy has done supreme work in restoring the foreboding nature of Vader's ominous voice which was washed out by subsequent Special Editions. The lightsabers look and sound stunning, and the color correction is absolutely brilliant and jaw-dropping to look at. I've watched all three films since obtaining the digital files (a couple of them twice already) and I've got to say this: I don't know what the FUCK Lucasfilm is doing in their offices, but they have royally been jerking off too long because if an internet user gets a few fans who have cherished sources together and produces editions of the original trilogy that knock Lucasfilm's out of the park, then there's something wrong with that company. (Granted I saw Star Wars: The Force Awakens and it was phenomenal, but we'll get to that some other time).

Harmy and the fans who donated their sources to him have earned my love tenfold of George Lucas earning my love. Harmy made me fall back in love Star Wars again, which is weird to say because up until viewing them, I never thought I fell out of love with Star Wars. Please, if you love Star Wars then regardless of whether you're like me and crave the original cuts, or you hate people like me and think that what Lucasfilm is doing to their fans is right, you should check out Harmy's Despecialized Editions any way you can. I know I cannot wait to pop these puppies in on my 60" Samsung Smart HDTV with surround sound back home and watch all three of them. I don't even need the rumored Blu-ray re-release that Lucasfilm is still trying to jerk us off with by promising. Harmy and the fans brought us what Lucasfilm only hopes and dreams of: the greatest journey back to that fantastic galaxy, far, far away...

FINAL RATING:

Star Wars Despecialized: 10/10
The Empire Strikes Back Despecialized: 10/10
Return of the Jedi Despecialized: 10/10

No joke

Wednesday, January 13, 2016

A Tirade on "God's Not Dead"

In 2014, along came a movie about a evangelical college student who challenges his atheist Philosophy professor about the existence of God. The professor gives the student twenty minutes at the end of three lectures to make an argument about God's influence and general existence. The atheist professor spouts atheist things. The atheist professor is then revealed to be a former Christian who lost his way. Then he's hit by a car and dies. The End.

Oh...you probably want a more in depth review than that. Well unfortunately, this movie's story is about as bare bones as I am, and trying to find story in a story-less plot is like, well, trying to prove the existence of God. I mean how much did the writers possibly have to grasp at straws to write the one-dimensional characters that inhabit the universe of this turkey? So many things in the film are things we're either supposed to just accept, or supposed to know, or supposed to believe in without being expressly told or shown. You're probably thinking to yourself "Okay, so there exists a movie about proving the belief in God to a non-believer, that's a new thing, it's never been done before." Oh, but it has, and in far more creative and artistically awe-inspiring and fascinating ways. Movies about the Bible are not-rare, but they're not common either. The best stories that express belief in an Almighty spirit and hook the viewer's interest in the subject are the movies that do not tell you to believe because they say so, but the ones that show you to believe. One of my favorite movies of all time is Cecil B. DeMille's The Ten Commandments from 1957 starring Charlton Heston as Moses, the Hebrew slave who returns to Egypt to free his people, adapted from the the Book of Genesis from the Old Testament, I believe.. That movie would be enough to provoke for any young boy or girl to find God and believe in something. The special effects, the sets, and the story capture your imagination and make you truly wonder about the existence of God to the point that you'd want to get out to your local Sunday service and be a part of it.

God's Not Dead does the complete opposite of that. It descends into full-on cult status for alienating non-believers or potential believers by saying "Yes, God exists, and the people who don't believe have bad things happen to them or are inherently bad people." That sends a lot of poor messages about who you are and what your missions are. You want potential spiritual newcomers to at least remain free-thinking, don't you? You can't possibly think transforming the Christian religion into a cult is a phenomenal marketing strategy, can you? To get a better idea, I suppose I have to take this moment and walk through the plot to better understand where the movie's coming from.
DISCLAIMER: Before I begin, I'd like to say this: I consider myself spiritual in nature, living in a Catholic home and frequenting Christmas Mass, but I was never baptised so I'm not technically Catholic myself. I don't consider myself a practitioner, nor am I Biblically inclined. I don't know what book is in what Testament in what order, I don't know what the Gospel is, I don't know the name of Jesus' disciples, and I'm not aware of what exactly is the need for ten thousand different translations or wordings of the Bible itself. With that out of the way, let's begin...
So the movie's "story" starts when our main character Josh Wheaton, though the other characters slur his last name into "Whedon", which makes me think this Aeropostale poster-boy is the guy behind The Avengers, registers for a philosophy class in college as a freshman. During his first day of class, we see his professor, Jeffrey Radisson (played ironically by Kevin Sorbo, one of the most devout actors in the world) pass around a sheet and forces his students to sign it. What exactly are they signing? It's stated that they're signing a sheet that says that God is dead and they accept it. If they don't sign it, Sorbo says he'll fail them.

Now, take that in for a second. Something about this paper just makes me have a problem with something, I can't recall what it is...oh right, LOGIC! THE CONSTITUTION! COMMON SENSE! FREE WILL THINKING! When this scene started unfolding, my brain shut off. Where in the name of ass does this complete mess of a story even begin to make sense? Did these dickhead writers take even ONE college course? Did they watch ONE episode of Saved by the Bell: The College Years?College. Doesn't. Happen like that.

First off, a college philosophy professor who so happens to be an atheist is about as stock as it gets. The only thing more predictable is if he happened to be some sort of scientist. Secondly, since when is forcing a classroom of fifty-plus to sign a paper saying they agree with you on your train of thought, no matter what it is, or else he'll fail you, even remotely okay? Wouldn't someone catch whiff of this happening? This probably isn't Kevin Sorbo's first semester teaching either. He's probably done this for all of the other semesters, which means if common sense flows through humans like I hope it does, he would've been fired a long time ago for pulling that shit. Again, this movie likes to throw free will out the window in favor of playing the propaganda card and flat-out telling you what to think and believe, rather than let you do the smart, healthy thing and go on a journey of self-discovery. Thirdly, and this is a big one; Josh is the only person in a room of fifty-plus who refuses to sign it. Whoa. Mind blown. You're telling me that in a room of that many people, only one kid is a devout believer who's brave enough to stand up to this bullshit? The writer's must've been living in Sunday school because in real life, non-believers would even stand up to this tragic misuse of free speech, but also in real life this ridiculous thing wouldn't even happen in the first place because PEOPLE DON'T DO THIS, but I digress.

Actually, there are other kids in the class that care, but apparently only Josh was brave enough to have a problem with it and stand up with his issue. Now, the solution to this? Have a one-on-one in Sorbo's office to discuss his pretentious caterwauling about how God's wrong to believe in and doesn't exist and settle it like men in a "you leave me alone, I leave you alone" scenario? If you think that's the answer, you're clearly not paying attention and need to start this review over. No, Sorbo decides to donate twenty minutes of class time at the end of the next three lectures for Josh to get up in front of the class and present his reasoning to prove the existence of God. Goddammit, this movie just keeps getting more and more ridiculous. Ridiculous levels are on par with a Care Bear snorting cocaine whilst trying to teach the ABCs to GED-seeking Ritalin-addicted sex maniacs who just can't stop stealing cookies from the public snack tray during Improv class. How ridiculous is that? WAY OFF THE CHARTS RIDICULOUS. First off, what normal college class is going to donate valuable time to the professor's game of "Let's see how worthless and stupid I can make my students feel today". Granted it's a philosophy course, so these types of discussions probably occur a lot more often than we think they do. Still, in a lot of my college classes, professor's often fight tooth and nail just to save time. Having all of this free time to throw around is pretty far-fetched considering the classes I've taken. Not to mention, if anything not related to class is going on, students will get up and leave. Period. College isn't like high school where you're forced to stay. I've seen kids sit down, figure out what we're learning and get up and leave. If all of these kids don't care or are too timid to stand up to Radisson, why the name of fuck do they sit, stay and listen? I would've jetted out of that hellhole and signed up for a Philosophy class that actually devotes time to learning, not childish shenanigans.

In case this plot isn't riveting enough for you, the writers thought of that too. You see, making the whole movie about Josh and Professor Dickface would've resulted in it being about, oh...forty-five minutes long. To counteract this, there's a series of attention-stealing side plots that are just as jaw-dropping as the main plot. One of my favorite side characters is Josh's girlfriend, whose name escapes me, because she's not important enough to care about, much less remember her name. She's mad because Josh decided to stand up for what he believes in and has apparently "committed academic suicide" by doing so. Really? In just his freshman year? Listen up, writers; if this college is like any other college I've been to or even heard of, failing one Philosophy class in your freshman year is nowhere near academic suicide, even if Philosophy's already your declared major. You could most certainly retake it, and because it's a freshman level course, that leads me to believe that there are about twenty other professors who teach the same class, so you could definitely retake it with a DIFFERENT GUY; probably one that's not a complete tool, too! In fact, Josh had a chance to! When he's picking professors, the kid handling his registration says he should pick a different professor because of Radisson's apparent reputation as an atheist, but Josh comes up with the no-brainer retort of "...if I choose a different professor, I'll have to rearrange my whole schedule." Apparently Josh also didn't get the memo that it's his freshman year, so there's only once again about twenty-ish professors per class for him to choose from which would allow for an easy-as-hell reworking of his schedule...

So, not only does Josh's no-name honey believe that, but she's also a complete loony because she actually uses the phrase "I'm sorry I had the first fifty years of our lives planned out", which is a little scary...okay no, that's really fucking scary. Forget clingy; this girl is that soaked piece of toilet paper you're trying to wipe off of your porcelain bathtub. Yep...that stuck.

So Josh sticks to his guns, and she dumps him. Yep, she dumps him for defending his beliefs. Remember that one stuck-up prune that fucked every guy in high school except for you? I guess the writer does, because he must have based Josh's girlfriend on her. This girl is so shallow, she's not even at kiddie-pool depth yet. She's at a depth of "I just turned on the faucet to make sure water was coming out". Not only that, but Josh isn't even remotely effected by it. She dumps him and after brief contemplation, he's just like "Okay..." Remember guys, your girlfriend is important, but God is important-er. Were these two even in love? I don't think so. They certainly don't act like it. He's all "Me, me, me" with his beliefs and she's all "Me, me, me" with everything about the relationship because of how controlling she is, and there was not "We, we, we" this whole time.

Next side plot character? Mina. Jesus Christ (no pun intended) is she a dead-end character. She's Kevin Sorbo's girlfriend in the movie, which is weird because despite however old she actually is, she looks twenty-seven and he's like...fifty-five, so even if she is age-appropriate, she doesn't look age appropriate and it looks creepy as all get-out. She is clearly just shoehorned into the movie so that the Christian viewers have another reason to hate atheists...you know, like this movie didn't give them enough reasons. She suffers constant emotional abuse by Radisson because of his atheism and her devout Christian beliefs (because that's all atheists fill their time with...hate), and like a spineless wimp she sits there and just takes it. There's a scene where she serves wine to a dinner party hosted by her and Sorbo that a bunch of Sorbo's colleagues attend (who all, for the sake of pushing another bullshit message, happen to be atheist) that she accidentally left in the trunk of her car, and everybody hates it. Not only that, but they start mocking her and making jokes, including a "Grapes of Wrath" pun that makes me wanna French-kiss a power outlet. The creme of the crop? Sorbo laughs with the hecklers and at his girlfriend... Stop it. Just stop it. If you're trying to make me hate Kevin Sorbo it's not gonna happen. I'll just watch a re-run of Hercules and fall back in love with him instantly. The message that atheists are nothing more than hateful jackrabbits is hit into my skull so much, which is so not true in so many respects, that it's hard to take the whole of this shit seriously. You can't take anything seriously. This is like the play somebody writes when a kid bullies them too hard and bases the main character off of that bully and makes him out to be a giant prick. It's unfair to the audience how much hate is being leveled here. I thought Christianity was about loving thy neighbor and all men being made equal in the eyes of the Lord? When did that go out the window?

Next we have Mark, Mina's brother. He's only here because he's Mina's brother, and that's it. Oh wait, did I mention he's an atheist and played up to be a bad guy? Oh yeah, you probably don't fucking need to be told anymore. God, I hate this movie. He's played by Superman dropout Dean Cain of all people, and has a role rather small, thankfully. Unfortunately, so is his impact. Together with Mina, he has a mother sickened with Alzheimer's disease. He refuses to see her because he wants to remember how she was, and not how she is now, but eventually has a change of heart and visits her anyway, only to somewhat mock her because he's not a believer and he's rich and she's a believer and she has Alzheimer's so...ha ha? He even spouts a horrible line that goes something like "If she can answer what three plus three is, I'll come visit her", which is...just an awful thing to do in both life and to your ailing mother.

Mark's other big plot occurrence is his girlfriend Amy, who is devout. Ugh. Another Christian-atheist couple. Do you get the feeling that the writer's hate atheists yet? Do you get the feeling they aren't even trying to write a good story anymore? If you think you're still watching a movie, you need to put down the Book and think for yourself for once. Do some independent thought; trust me, it's good for you. This isn't a movie; this stopped being a movie so long ago. No, this is an internet rant on atheists that got adapted into a two-hour clip show of atheists supposedly doing what they do best which is live without love, and hurt those that live with love. So in case this movie still can't convince you that atheists are hateful swine that don't deserve to share God's planet with you, Dean Cain dumps Amy because she gets diagnosed with cancer...

There are no words to describe my anger for how atheists are being treated right now. I have no words. This is without a doubt the worst movie ever written. I'll say it. The dialogue card is played unfairly in the Christian light so that the devout characters have all the whimsical lines and character development while the atheists, the ones whose characters need development and would have much bigger and better payoffs and make this movie worthwhile, are mistreated so badly. They're your one-dimensional stock villains that do evil things because they're evil. That's it. It brings my piss to a boil on how astronomically fucked up this whole thing is. What makes me even angrier is that fact that there are people out there who think this is all tried and true.

Let's just speed round the rest of these fun-bags because I'm already tired of reviewing this mess. There's the two reverends, Reverend Dave and Reverend Jude, who decide to spend a few days together and go to Disney World. They act oddly homosexual which threw me for a loop because I thought "No pastor would allow this into the movie". They get in a car, and it doesn't start. Odd, so they get a rental car, and it doesn't start. Alright, I think I know where this is going...it's because they're secretly gay, right? Being gay is wrong in the eyes of Jesus, right? Well no, once they believe hard enough the car starts and the leave just fine. So...was that a side plot? Did the movie just distract us for ten minutes? Was that an internet ad for the Church of Christ while the movie buffers? I don't get it. It almost feels like it doesn't belong. The only reason this ordeal exists is because these two are the ones who help Radisson in the end of the movie. Without this scene, you wouldn't even know who these two are? Their impact in the movie is zilch.

Finally, there's Ayisha, a girl raised Muslim her whole life by her traditional Muslim father--OH WAIT! Let me guess! She's secretly interested in or has already joined Christianity and her dad finds out and something really bad happens?! Ding, ding, ding...we have a winner. Her brother catches her listening to Billy Graham's son Franklin on her iPod and rats on her. She gets kicked out of her house by her father after he beats her and she ends up at Reverend Dude's church where he says that it doesn't matter if she doesn't have a roof over her head or food to eat, so long as she has God. Interesting theory, movie; logic tries to fight you on that one, but I'll let you have that one because I'm just that nice'a guy. First of all, many times what can happen is that Christians in Muslim households, especially women, are KILLED for this. Why would her little brother rat her out when this could very well happen? You could argue that he doesn't understand that this could happen, but he's sure as hell going to regret it if it did. Secondly, how does her little brother know who Franklin Graham is? Is he a secret listener too? Some would say he's famous, but I didn't know who he was before I viewed this mess, so that's not true. You know, that almost negates the first argument. If her brother understands the difference between Christianity and Islam and why both parties aren't very tolerable of one another, he goddamn jolly-well should understand the implications of what could happen by ratting out his sister.

So you probably wanna know how the main plot ends, right? Well unfortunately, a killing spree isn't involved. Like you're probably expecting, there's a slight payoff, and it's taken away from a ludicrous event. To sum it all up, Josh's debates with the professor don't start off as planned. Josh's overly decorated PowerPoints fail to impress his classmates and Radisson. The second debate ends up the same way, with Josh coming up with some valid points and Radisson shuts him down again. The third debate ends with Josh, of course, inspiring some of his classmates by beating Radisson in the debate by forcing him to admit that God does in fact exist, and he just hates Him for his mother dying despite his constant prayer. Because of all of that, he is a religious recluse and trashes the ideals of spiritual nutcases everywhere. However, somewhere after the event of of Josh proving him wrong, Radisson finds a letter from his mother that re-inspires his faith and he goes to the Newsboys concert at the end of the movie to confess his true love for Mina and that he loves her for who she is, (By the way, I failed to mention that's the big payoff of the movie. The Christian rock band Newsboys performs their song "God's Not Dead" and dedicate it to Josh for his role in standing up to those mean ol' atheists), regardless of her religion. Hooray! His arc is complete! Something was actually completed in this movie! He actually has a complete arc of--, oh wait he's killed off. Son of a BITCH!!!

I have a few problems with Radisson's death in the movie. The biggest is that his change of character is not only ill-advised but also not likely. Let's think about this: A man who's lived part of his life initially believing in Christ, then denouncing and living a larger part of his life as an atheist and thus not believing in an Almighty Spirit of any kind, just all of a sudden decides that for the good of his relationship and his career to re-accept Christ as his Lord and savior whilst dying in the street from internal injuries suffered from getting hit by a car, is just ludicrously insulting. First off, it's a little cheap for the writers to allow Radisson to have this all-important realization and re-acceptance of faith just to kill him off anyway. If Radisson was the Radisson of real-life, he would've died on that street telling Reverend Dave to go eat a dick and curse God's name unto death. What happened to his moral crusade against God? He just gave up? Are you serious? His twenty-plus year as a Jesus hater was suddenly dropped because he had a slight epiphany reading a letter from his mother? So he decides to be a good person, and being a good person means accepting Christ into your life until you're dead. This is the payoff. You cannot be a good person, unless you accept Jesus into your life. It is impossible. Boom. Message delivered. Roll credits.

Even if Radisson didn't accept Jesus back into his life, he could've still had a change of heart and just simply stopped acting like an asshat. That's it! That pay off would've given a lot better message. Holy cow I'm a genius. To live with love somehow without Jesus in your life. It is possible, people. Same with Mark and Amy. Mark and Amy could've reconciled (although she would be wise to reject him seeing as how he dumped her for something happening to her of fate, not of choice) and that would've said a lot about Mark and how far he's come. Instead, Mark has no payoff. Mark's just an asshole. Why? You already fucking know why, because he's atheist. Same stupid message the movie's told you for the last two hours. Radisson has a somewhat payoff, but it's half-assed and rushed.. He could've just stopped acting like an butt clown and learned to love in his heart without accepting Jesus in his life, but also realized the love Jesus brings to his wife and accepted that. What a great payoff that would've been, but that's not what this movie's about is it? This movie is all about telling us that Jesus is the only one who can make you a good person. Being a good person isn't something you're born to do or skills you learn, it's only something you inherit from becoming a devout follower of Christ. Blow. Me. Sideways.

I'm not saying religion is bad for your mind, far from it; but I am saying that this movie could have a ton more leeway on its messages. It portrays Christians as being open-hearted lovers who only want the atheists to understand their beliefs, which holds true to real life, but it won't let that message get across because the movie won't allow atheists to have a change of heart because it tells us atheists can't have a change of heart. They're all heartless. The only atheist to have anything close to a change of heart is Radisson, and this movie teaches him a lesson for his years of Bible abuse by killing him.

FINAL RATING:
<* = 0.2 out of 5 stars: God's Not Dead is a horribly-written, badly-acted, mish-mash of random events that are disjointed and lack universally-relatable, down to Earth characters. The movie favors a propaganda approach to storytelling over eventual payoffs, completion of character arcs, and hopeful reconciliations that emotionally would've paid off in far better ways. It teaches us that atheists are shallow, cold-hearted, loveless people who would rather see the ideals of God destroyed than simply agree to disagree and coexist as the Almighty truly intends. It leaves the idea that all people could get along, regardless of religion or creed at the front door to deliver two hours of loathsome dialogue, horrendously laughable character situations, and cheap tying-up of loose ends. It no doubt resides in the hearts of close-minded buffoons who share the same narrow-sighted ideals and view this laid-egg as a stand-up entertainment and all-important media

The rating would be 0, but I just watched a clip of the TV show Hercules, so Kevin Sorbo gives the movie 0.2.