Sunday, March 27, 2016

A Review of "Batman v Superman: Dawn of Justice"

This is it. This is the one people have anxiously been waiting for. My goodness, the hype was real. I mean, it was no Star Wars: The Force Awakens by any means but once Star Wars came out, the hype was pretty much this and this only.

Well, I forgot about Deadpool. Okay so after Star Wars, people were hyped about Deadpool, and then once Deadpool came out people finally started getting excited for this...at least, I think you call that excitement.

Batman v Superman: Dawn of Justice is the superhero film the comic geeks have been waiting for for a long, long time. The idea of Batman and Superman, the two most notable comic book superheroes of our time, teaming up or fighting one another has been a notion since the two enjoyed both their Golden Age in the 40's and 50's and Silver Age of the 60's and 70's of comic book glory (Boy, they're old). Different people began hinting at the idea of potential crossover movies for some time, back when Michael Keaton and Christopher Reeve were Batman and Superman, respectively, to when Christian Bale and Brandon Routh were. Thank God that crossover didn't take place.

Do Batman and Superman both finally get the payoff and well-received cinematic exploit that they've hoped and dreamed of? Well, we know Batman has gotten his fair share of the DC Comics film spotlight...and by that I mean pretty much all of it, but does this film answer all of the nerds' prayers and fulfill their ultimate boyhood fantasy hopes and dreams?

Sit back and read as I give you the answer of a great big: "Sort of."

THE GOOD

Obviously, the action was satisfying. You went in wanting both Batman and Superman to kick some ass, take some names, and destroy lots of stuff in their battles. Well, look no further, because that's precisely what you get. You get a couple altercations, the first of which is a brief "prick-waving" contest"and then the second is their big battle which flies all across Metropolis. All in all, the fight was pretty exciting. Too bad the climax to the fight sucked balls, but we'll get to that.

Henry Cavill was again, phenomenal in his portrayal as Superman. Stoic, heroic, and standing tall as a symbol of hope for planet Earth. For the slew of actors we have out in the world today, Cavill is the perfect choice for Superman and I'm glad he continues to play the role throughout the entirety of the DCEU. On the opposite side of the spectrum, Ben Affleck nailed Batman and Bruce Wayne. His Bruce Wayne is a grumpy old man who thinks Superman showed up to the planet Earth to rule it, while his Batman is the muscle behind stopping such a takeover.

Amy Adams was great as Lois Lane. She was very "Karen Page"-esque in her performance. Basically your typical intrepid reporter willing to risk life and career for the news, except she was very much like Karen Page because she did it outside the umbrella of the Daily Planet.

Jeremy Irons was pretty great as Alfred. I had my doubts going into the film because he looked like he's playing Commissioner Gordon and not Alfred, but it didn't matter. Alfred in this film was very much like Bruce's sidekick as he did a lot of third-party operations of the various Bat-mechanisms that aided Bruce in battle as Batman.

I did like the references to The Dark Knight Returns. There were more references than I was anticipating as well. Superman being a shriveled up prune after the nuclear blast, Batman telling the crook "I believe you", the overall look of the Batsuit, the Bat-mech suit, Bruce Wayne's age...okay so "Batman" in general.

The idea that Doomsday could be spawned from the corpse of General Zod is pretty interesting. Lex Luthor used the corpse of Zod, some of his own blood, and a Kryptonian DNA pool to create Doomsday to fight Superman. I'm not sure if I'm on board with this notion or not, but until I figure it out, I'll file it under "good".

The Doomsday fight was fun. I enjoyed it from beginning to end. Superman and Batman were getting their asses kicked until Wonder Woman showed up. I liked how Superman and Wonder Woman took over the fight from Batman since he's, well, Batman and therefore insignificant in the scheme of Doomsday. Not much else to say about it, other than that it was pretty wild.

THE BAD
The overuse of Kryptonite as a plot device was annoying. It was necessary, but annoying. I didn't care for it. Obviously Batman fighting Superman would be absolutely no contest without it, so as a personal aid for Batman, I guess it was necessary. I also didn't care for how Batman and Lex Luthor were fighting over who was gonna be the guy to put Superman down. Lex discovered or at the very least first obtained the Kryptonite, and then Batman shows up at one point in the movie and steals it all jealousy-related because "Oh, I wanna kill Superman". Even if it was for a completely different reason, it felt like nothing more than Batman felt like he needed to be the one. Well, it didn't work out so well because Lex then decides to kidnap Superman's mother and hold her hostage. He promises her safety in exchange for Superman killing Batman and "bringing Lex Batman's head".

Their fight is pretty great, as mentioned. The downfall of the fight is the ending. Superman is played out to be a total punk bitch. I could easily tell Zack Snyder is a little Bat-biased. Superman is so misrepresented in media today, it's insulting and this movie, rather than this disprove the notion that Superman is weak and useless, decides to play it up. Batman basically uses the Kryptonite to defeat Superman and then is prepared to deliver the killing blow. Not only does Superman lose, but he doesn't even save himself. No, no! Lois Lane intervenes on Superman's behalf and convinces Batman not to kill him and for them to work together. What a joke.

Speaking of Lex Luthor, Jesse Eisenberg was about as enjoyable as a live, un-drugged colonoscopy. You may think the over-the-top acting was necessary to show how crazy Lex is, but good God he wouldn't shut up. A lot of scenes he just spouted non-sequitors like they were supposed to be creepy, but instead he came off like a dork. He acts like a ten-year-old who says he's used to drinking Red Bull and then has one sip and starts flying on Cloud 9. Every damn scene he was in he as either over-the-top obnoxious or far too calm and dull. The one and only scene in which he was even remotely normal was the first scene you meet him. After that, he snorted sixty-seven pixie sticks and took off into a void that was too warped and "out there" for me. Look at Jack Nicholson's Joker in Batman: He managed to be a complete psychopath and still be down-to-Earth and cool about it. The Superman: The Animated Series Lex Luthor is the perfect example about how a megalomaniac billionaire is supposed to be played. This? This is just too over-the-top.

While Cavill rocked Superman to the T, his Clark Kent needs work. Hark back to Christopher Reeve, who is still Superman for many people. He played both roles so well, you would never guess Clark Kent was Superman. He played Superman as a stoic monolith of a man built to uphold truth and justice, and Clark Kent as a slouching, stuttering, bumbling oaf of a lovable guy. What the fuckin' balls is so hard about that? Cavill has got his Superman down to nitty-gritty, but his Clark Kent is...well, Superman with glasses. He's still stoic, has the same stone-chiseled face with "perma-anger" look, and doesn't change his voice or speech patterns in anyway. Reeve played Superman like a jock and Clark Kent like a nerd. How much easier does it get than that?
Also, apparently Lois not only knows Clark's identity as Superman, but they're dating as well...soon to be married, too. So...surprising, at best.

The only thing I didn't care for with Affleck's Batman was the Bat-voice. It sounded too tampered in post production. He sounds like a robot riddled with throat cancer, even when he's out of the Bat-mech suit. I didn't get it when I saw it, and I still don't get it now.

Then there's the obvious thing. This movie was too dark for no reason. DC just doesn't get how to make a superhero film anymore. After The Dark Knight in 2008, they stopped trying. I'm not saying I hate dark and gritty movies. I love them when they're done right. The Crow is a phenomenal example of a dark, yet stylish comic book movie. Sin City is also well documented in its cinematography use. Batman's even had his fair share of dark movies; Batman Returns, for instance. Why is it that DC movies feel they have to be dark and morbidly filmed? The entire film had a tone of tragedy about it. It's a comic book movie. Lighten up a little, would you? If the movie's supposed to be dark, well then for God's sake don't make it dark. Sure Batman's supposed to be all morbid with a more adult tone, but Superman is predominantly for kids. Does he have to be given the greyscale makeover too? I'm all for updating the DC heroes for the modern movie-going audience, but lighten up a little.

The Justice League build-up was and still is a joke. Superman and Batman are given all this screen time and character development. That's fine, if the Justice League superhero team was just them. Wonder Woman's in the Justice League, too. She has absolutely zero lines until the end battle with Doomsday. Up until then she's just eye-candy for Bruce Wayne. The other heroes? They each get forty seconds worth of YouTube videos to hype them. Yep, no joke. Wonder Woman opens a link from Bruce Wayne and watched short clips on the Flash, Cyborg and Aquaman sightings throughout the world. DC tried to stick it to Marvel with that one and failed. Marvel likes to give each hero in the Avengers their own standalone movie to build them up and give the audience familiarity with the characters, with the exceptions of Hawkeye and Black Widow. DC did all their standalone movies in the span of about two minutes. Aquaman, the Flash, Cyborg and, well, Wonder Woman. I don't feel anymore familiar with Cyborg or Aquaman than I was walking into the theater. On top of that, where the shit is Green Lantern? Does Warner Brothers not realize he's still a member of the Justice League? What garbage.

The ending was garbage. They try and fake you out by copying the Death of Superman story-arc and having Doomsday "kill Superman". While that's fine, if you've already publicly released reports saying that you've signed Henry Cavill on for Superman in Justice League parts 1 & 2...so, what's with all the tension in pretending he's dead? Everybody with a brain stem knew he was alive. I had to pee by the time Superman was "killed" and was anxiously waiting for him to come back to life so I could leave and go pee. I waited and waited and the "funeral" carried on and on. Bruce and Diana (Wonder Woman) had discussions about "uniting the heroes to fight" to hastily set up Justice League, and I just wanted Superman to wake up. Finally, the camera zoomed into the top of his casket and dirt moved...cut to black. So, the eventual payoff you were waiting on didn't even happen. It was an angry pee post showing.

THE VERDICT

2.8 ** out of 5 *****: Batman v Superman is a mixed bag at best. You get awesome portrayals of characters in Cavill, Affleck, Adams, and Irons and then you get Jesse Eisenberg trying to play a supervillain. It has great action that keeps you in your seat and entranced in what's going on, but the greyscale filter, the depressing atmosphere and the half-assed arc involving Superman answering for crimes in the middle east detract from the overall idea of superheroes uniting as one to combat a growing evil. You get the union at the end, but then the movie messes with your mind in having the leader of Justice League pretend to be dead. Justice League, the very next movie in the DCEU, has no build-up of lesser-known heroes other than brief glimpses in clips on a laptop. Figured it deserves at least a 1.5 for name recognition, and an additional .5 for box office triumph...2.8 is extremely generous I think.


I just hope Suicide Squad isn't going to be this epicly underwhelming...

Thursday, March 24, 2016

A Sarcastic Preview of "Batman v Superman: Dawn of Justice"

Alright, so before the movie comes out tomorrow, let me just say a few things first.

Obviously, before I begin, let me state the obvious. We all know that Marvel movies kick the living crap out of DC movies and we all point and laugh at DC because they're playing a pretty laughingly pathetic game of "catch up" right now and it's hilarious. So, that being said, let's do a quick preview.

Batman v Superman: Dawn of Justice will be the second installment in the DC Extended Universe, Warner Brothers' poor-man's answer to the Marvel Cinematic Universe.

Superman doing his best
"Windows Desktop Wallpaper"impression
It will feature Henry Cavill returning to the role of Clark Kent / Superman, fresh off his portrayal of the hero in Man of Steel which was...a movie, and that's pretty much it. On the other side of the ring, there's Ben Affleck, who gets a chance to don the infamous cowl of Batman. Ben Affleck, or "Batfleck" has a newly designed batsuit looks as though Frank Miller got his children free college tuition so long as the movie promised it would "sort of" look like his Batman's batsuit.

As for the supporting cast, we've got Jeremy Irons signed on as Alfred Pennyworth, who looks more like Commissioner Gordon and less like Alfred. Plus he looks about the same age as Bruce in the trailer...so go figure. Amy Adams is back as Lois Lane, who is probably one of the few reasons people will actually sit through the movie. Jesse Eissenberg plays Mark Zucker--, I mean Lex Luthor. I'm sorry, that is just...the most hilarious casting choice in the world. Plus there's Gal Gadot, who's appeasing feminists all around the world by finally adapting the character of Wonder Woman onto the big screen...in a movie that doesn't bear her name in the title and didn't let her have a line in her big reveal trailer.

So, what can we expect before the movie comes out? Well, we can hope that there's going to be plenty of action. We know the Dark Knight Returns Bat-mech-suit...thing will make an appearance. In fact it made a trailer appearance before the actual batsuit did. So we know Superman will meet his match in battle. I mean, he'd kind of have to right? Face it, the concept of Batman fighting Superman isn't very interesting unless Batman uses exterior forces, because Superman could damn well sneeze on the Caped Crusader and send Batman's spinal chord to Guantanamo Bay.

We know Doomsday is going to be in the movie, for some reason. You know, because the movie already didn't have enough hype and content in it. Pretty much the only villain to ever make Superman wet himself is probably getting relegated to the last forty-five minutes of film and is probably beaten fairly simply. Will they adapt aspects of the Death of Superman storyline? Some would say yes, but smarter people would say 'no', because they know Justice League is still coming out.
Batman doing his best to accessorize
the many shades of grey.

We can hope for Gal Gadot bringing honor to the Wonder Woman role. Hopefully she still uses her Lasso of Truth and flies around in her invisible jet as a hark back to when she was just a sex symbol in the 70's TV series. Oh God, I hope they do her better justice than that. They'd pretty much have no other motive than to do her justice. The 70's just don't fly anymore...unless it's in an invisible jet. Zing.

We can hope that DC decides to be original by including mid and end credits scenes that hint at future DC projects. Maybe include Easter eggs that reference other DC superheroes in this film? Have the Green Lantern show up out of nowhere for a two minute cameo talking about Earth Day and how we should give a hoot and not pollute. I'd pay to see that. That alone would be the price of admission. Maybe there's a scene where Bruce Wayne is smoking a cigarette and he throws it on the ground and walks away, and then two seconds later the Joker shows up as a road worker for a penal farm to clean it up to tease Suicide Squad (which will also probably be terrible).

At the absolute least, the very minimum, we can hope that there'll be another trailer for Captain America: Civil War. Let's face it, DC. If you can't beat 'em, advertise for them and earn yourself a little money on the side.

SARCASM ASIDE: Alright, sarcasm aside, I think the movie will at least be worth the ticket price. The marquee value alone is staggering enough to warrant box office gold. Obviously, you're going to get Batman fanboys getting mad about something, and then whatever Superman fanboys are left are probably going to get their Kryptonian panties tied up in a bunch. Wonder Woman fanboys will...well, to tell you the truth I'm not sure how they'd react.

The movie will be out in less than twenty-four hours. We'll know by then whether or not the movie will be terrible. Lord knows it had enough hype to last a lifetime.

Saturday, February 6, 2016

Why, George, Why?! The Possible Status of the "Star Wars" Negatives

Something that I hinted at in my post about Harmy and the Despecialized Editions was that the reason each and every Star Wars re-release negates the last one is due to a massive rumor that's circulated on the web ever since the web was invented for rumor circulation.

It's the rumor that George Lucas, or whoever gave the final say in the matter, voted that Lucasfilm permanently alter the original 1977, 1980, and 1983 theatrical cut negative film reels into the digital representation that became the 1997 Special Editions, thus permanently erasing the original cuts and removing them from history forever. FOR THOSE WHO DO NOT KNOW, a "negative" of a film is the name for a photographic film that will give images which have their colors inverted, after development. This inversion means that the complementary color is used. A second process (usually called making a print) is used to obtain any number of photos, which can also be in different sizes.

Let's think about this. Each original movie was shot on 35 mm film. The film reels had to then be translated and copied onto thousands of VHS tapes, LaserDiscs, Beta tapes and God only knows what other formats and sold those ways. The original film reels were no doubt stored somewhere on Lucasfilm's premises, or at the very least, the ILM or Skywalker Sound studios. Now, to take that film and decide "I would like to make an audio and visual upgrade for people to see" is a grand idea, and to go about that is very simple. You would hopefully take the original negative of the film, translate it into a digital format, and do all of your editing and other post-production fun to the digital recreation of it. However, you would then, again "hopefully", leave the original negative alone on its original 35 mm film reel and re-store it someplace safe in case of digital memory loss.

The rumor basically dictates that once Lucasfilm translated the original negatives of Star Wars, Empire and Jedi into digital format for the impending '97 Special Editions, they destroyed the film reels that contained the negatives and thereby proclaimed that the new editions would be the stand-in editions for the films themselves, not just Special Edition copies. By destroying said film reels, the '97 copies of the original negatives with the newly enhanced audio and visuals have become the de facto film editions of the original trilogy.

Alright, so first of all, I believe that to be a bold-faced lie, but let's take a step back and play both sides here. Let's first play the side of the people who don't believe that rumor and think it's false. It would be absolutely against any and all moral code to destroy the original negatives of Star Wars, Empire and Jedi, or to permanently alter them. Original negatives exist for the sole purpose of remaining as a back-up or a go-to unless post-production isn't going well and the producers wish to start over again. Permanently destroying them effectively erases the basic template you have to work off of and makes it very risky in case the file or film reel you're working on gets lost or damaged. If George Lucas wanted to destroy the original negatives, he'd have to go through a lot of Lucasfilm Ltd.'s top executives to get clearance I'm sure, regardless of himself being the CEO or Chairman of the Board. Preserving the original negatives acts a safe, "restore point" for all post-production endeavors. If the movie's out and people have seen it, it serves as the central focal point on which their love or hate of the film resides. Either way, it's a pretty goddamn big important piece to the process of movie making.
Speaking of people George would have to go through in order to achieve the destruction of the negatives, I remembered 20th Century Fox. Yeah, how could we get the company that owns the distribution rights to the original trilogy? The way it's set up is thus: 20th Century Fox owns all of DISTRIBUTION RIGHTS, not the rights to the film...those are two different things. Fox owns Star Wars for the rest of time in what was a unique contract, but only owns Empire and Jedi until the year 2020. I'm very sure 20th Century Fox would object heavily to the destruction or permanent alteration to the original negatives. Releasing the original theatrical cuts on Blu-ray/DVD would be like printing your own money.

Now let's play the other side, and say IF George Lucas did in fact permanently alter or just destroy the original negatives entirely, there is no doubt in my mind he will go down as the most hated man not in just the Star Wars sense, but also from a filmmaking standpoint. You cannot responsibly destroy the film reels you shot your movie on without having a damn-well decent ethical reason for doing so, and in reference to Star Wars I don't know what that ethical reason could possibly be. Not only is that a completely irresponsible thing to do, but to your fans and possibly the cast/crew, it's totally an insult to the work you've done together, especially if you take out the work model builders and stop-motion animators did in favor of "CGI enhancements". It's also disrespectful to the art of filmmaking. The very foundation on which the creativity of filmmaking is founded is held in place by the belief that once you make something, you will want it to stand forever and have millions upon millions of people, generation after generation, view your work. Obviously, 35 mm cellophane film will not withstand the test of time, but many thousands of old 35 mm prints have been transferred seamlessly and without any alterations to digital files and stored on giant, wall-sized hard drives. I find it hard to believe that a film as culturally significant as Star Wars would not receive the same treatment. Lucas is trying to rewrite history simply because he's the only person in the world that didn't love the original theatrical cut of the film, and it's sad because he's the only one with power to change the movies.

Rumor also has it that the Library of Congress's National Film Registry, after selecting Star Wars as one of the first twenty-five films selected for preservation in 1989, was denied by Lucas repeatedly when they asked for the original archival print of Star Wars to preserve. Reportedly, Lucas sent them three different cuts of the film, including the '97 Special Edition, and all three were rejected by the National Film Registry. To my knowledge, the National Film Registry has yet to receive the archival print requested, and Lucasfilm has yet to offer up said print in an act of submission. The behavior being shown by Lucas and his company, if this rumor is true, is absolutely despicable and disgraceful. Your '97 fan edit of your own movie is not the film people fell in love with, not the film the Academy awarded seven Oscars to in 1978, and certainly not the film that captivated a generation of fans, future filmmakers, astronomers, physicists and other achieving people of promise.

So there you go. Either the negatives still exist and are now stored within Disney's famed Vault, a brand of Blu-ray and DVD releases that are released once for three weeks and then disappear forever in what is truly a top-notch shithead marketing strategy, or the negatives are lost forever and what we have are inferior 2011 Blu-ray cuts that we're stuck with and degrading VHS copies of the film we know and cherish. Either George Lucas knows what he's doing in regards to salvaging the original negatives and preserving them, or he's the biggest dumbfuck on the planet in letting them be destroyed. Will we ever know? Certainly Kathleen Kennedy, the current head at Lucasfilm, has knowledge of the whereabouts and status of these negatives, as does Bob Iger, the Chairman and CEO of the Walt Disney Company. Will they ever tell us?

One thing remains known and that's that George knows...

Saturday, January 16, 2016

What Order Should the Star Wars Saga Be Watched In For the First Time?

I'm still on a Star Wars kick. This could be the last one for a while, I promise. I just wanted to ask the question: "What order should the Star Wars episodes be viewed in for someone's first time?" It's not as simple as just "Oh, watch them in chronological order". There's an art to picking a sequence of the films to view the saga in. In this post, we'll briefly go over the different viewing orders, why they're important, and which one I think works the best:

  • Chronological Order: We'll get the no-brainer out of the way first. George Lucas wasn't a sheep; he didn't number the freakin' movies for nothing. The purpose of the episode number at the beginning of each film (in the prequels' cases, in the fuckin' title) is to tell you where this portion of the saga takes place, and thus aids in your viewing order. Prequels, then the originals, then the sequels.
  • Production Order: This refers to the order in which the films were produced, not where they take place in the timeline. You watch Star Wars, The Empire Strikes Back, and Return of the Jedi, and then go back and watch Episode I: The Phantom Menace, Episode II: Attack of the Clones and Episode III: Revenge of the Sith, and then skip back forward and and watch The Force Awakens.
  • "Flashback" Order: This is a new order that's interesting in its presentation. It salvages the reveal of Darth Vader being Luke Skywalker's father, and before throwing Jedi at you, you go back and watch the prequels, and then get to Jedi. The flashback order works well for a great sense of adventure, and I have yet to view it, but I do have opinions...
  • "Fuck the Prequels" Order: This one's self-explanatory. You get the really grumpy fans out there who would love to see the digital negatives of the Star Wars prequels doused in gasoline and torched out of existence forever. This one you simply watch Star Wars, Empire and Jedi, skip the prequels, and go straight forward to Force Awakens.
  • "Any-Order-You-Want" Order: This one's also self-explanatory. Just pick a random one and follow it up with another random one. Star Wars, then Episode I, then Jedi, then Episode III...it doesn't matter at all if you're this carefree.

Before we wrap up, I have opinions. Wouldn't be my blog if I didn't. I'll start off by saying the Production Order is the best way to do it, and though I haven't done it yet, the idea behind and potential experience of the Flashback Order earns it a close second. People give me shit when I say this will be how I'll introduce my kids to Star Wars. They tell me to just play it safe and secure and show them the Chronological Order. However, I feel the chronological order actually robs from the saga, mostly for the reason that the biggest reveal in the franchise, Darth Vader being Luke Skywalker's father, has it's shock value in the reveal totally destroyed. Explaining everything off of the bat sucks the mystery out of the story. Sure you get a nice, cohesive flow of exposition and narrative plot that leaves your mind calmed that everything is answered as you go along...but what happened top people's senses of adventure? People from 1983 to 1999 didn't need all of the backstory explained! People act today like the prequels are a crutch now, which is just what George Lucas was hoping for. People are like "I can't watch the originals without watching the prequels first". That's fair, I'm not going to argue that you're an big dumb idiot jackass face, but I will slap my elitist headband on and claim that you've lost your sense of movie-going adventure. Do we forget that movies are meant to be experiences? Not a way to just kill two hours. What if before Raiders of the Lost Ark, I make you sit through all of the episodes of The Young Indiana Jones Chronicles before you even get to touch the Raiders Blu-ray? You'd probably want to kill me. In fact, if chronological order is what's popular now, I'd have to make you watch Indiana Jones and the Temple of Doom before Raiders of the Lost Ark since it takes place a year before. Indy's dramatic, badass reveal in the beginning of Raiders is destroyed due to you already having met him in Temple of Doom.

There you have it. My opinion. Did I miss any orders you've seen online? Did you have an order of your own? If so, comment it below or shoot me an email.

Friday, January 15, 2016

The History of Star Wars Re-releases and Harmy's "Despecialized Editions"


Because I put the ax on my Epic Star Wars retrospective (I'd like to finish it someday), I'll say what I want to say here: The original trilogy is of Star Wars is superior, no matter how you slice it. The prequels aren't terrible, but they are underwhelming. Unless you watch them in chronological order, in which case Star Wars is laughably bad right off the bat. They aren't bad to where you can't enjoy them; trust me you can enjoy them. You just have to switch mindsets when you watch the prequels. Just pretend you're watching a satire of Star Wars. We'll get into what order to watch them in at the end.

I'm bringing this up because I miss the theatrical cuts my dad had on CBS Fox edition VHS's from the late-80's/early-90's. The original cuts. The way audiences in '77, '80 and '83 saw them. I get lambasted by my friends today for expressing my love for what I consider the better films. Star Wars at the '78 Academy Awards took home seven Oscars...SEVEN. For a silly science-fiction fantasy opera film. That's crazy!

Let's go over a history of the controversial Star Wars re-releases. In '97, Lucasfilm released "20th Anniversary Special Editions" of the films to theaters and subsequently VHS that had newly-enhanced visual effects, made some editing changes, updated the sound and resolution. These '97 Special Editions started the fateful trend, as after that, they became the only versions of the original films to purchase in stores (We'll get to Lucas and destroying original negatives another time). In 2004, just a year prior to the release of Episode III: Revenge of the Sith, the original trilogy was released on DVD for the first time ever. Fans were hoping to get DVDs that contained both the '97 Special Editions and the original theatrical cuts. What we got instead, were brand-new 2004 Special Editions, with even more editing changes, and a piss-poor automated color "correction" that would've worked better if the editors just pissed on the film itself and sold that. These 2004 DVDs were and still are notorious for their color saturation that give each of the three films a faded greenish hue. In 2006 is when people started having a problem with Lucas and Lucasfilm, and vice-versa apparently...

After fans mailed, e-mailed and petitioned Lucasfilm to re-release the original theatrical cuts on DVD, the response we got was surprisingly juvenile and asinine in nature. In 2006, Special "Limited Edition" DVDs were released one-by-one by Lucasfilm that were advertised to contain both the 2004 DVD cuts of the films and each of the films' respective theatrical cut. Fans were initially celebratory, but descended into even greater anger when we learned the truth. The "theatrical cuts" included with the '06 DVDs were the '93 LaserDisc cuts. Cuts that were so similar to the theatrical cuts, but had minor editing tweaks, music cue fixes, and color-correction. Fans were outraged, but tolerated it. It was the closest we've come back then. The '06 "Theatrical cuts" are also notorious for their horrific LaserDisc-to-DVD transfer that resulted in a non-anamorphic 4:3 ratio which means it plays in a small box on all Widescreen TVs regardless of settings, and motion-smearing caused by primitive noise-removal methods, again proving that the prized original negatives of all three original films were not apart of the 2006 DVD release.

When it was announced in late-2010 that the entire six-episode saga was going to see a prized Blu-ray boxset release at last, many would think "okay, it's Blu-ray. Blu-ray's a pretty big deal right now. Maybe this will be the time Lucasfilm gives us what we want." Alas, again we were wrong. We again, got brand new cuts of not just Star Wars, Empire and Jedi, but also Episode's I, II, and III. These are the 2011 Blu-ray cuts, and they're the ones I currently own. Unless some of my friends aren't vocal about it, I was the only one upset by this in my circles. Everybody else was like "Well it's his films, he can do what he wants/wishes", which is true to an extent. If he wants to make his films the way he wants, that's fine. Most fans won't buy them if they have the original cuts, but the fact George also lampoons the original films as "crap" and says he does the Special Editions to improve on them is bullshit. I watch the 2011 Blu-ray cut of Star Wars thinking not that it's Star Wars I'm watching, but I'm watching a copy of Star Wars. I feel like I'm watching some internet troll's fan edit of Star Wars. This isn't the original release I love and want, this is something I was dealt without a say in the matter. I had to deal with it. The originals, in their greatest form, how I loved them, were gone. I just accepted it. I wasn't going to get what I really wanted. I just awaited the next release, which came in the form 2014 All-digital release, but they were just the 2011 Blu-ray cuts again. All available for the "low, low" price of $20 per title, or $90 for the whole saga. Sorry, not the saga, the 2011 saga.

Harmy: The man behind it all
FUNNY SIDE NOTE: The 2011 updates done to the prequels always make me laugh at their irony. How can you digitally cram more shit into digitally-crammed shit? Aren't you running out of room? I get fixing the God-awful Yoda puppet in Episode I, but anything else was absolutely unnecessary. Whoops, I've even started defending the prequels...to end, check out The Phantom Edit, which is Episode's I-III edited by the fans down into an hour and forty-five minute movie. No Jar Jar, no Midichlorians, no horrendous dialogue. Two can play at that game, George my man...

Then I came across Harmy. Who's Harmy you ask, besides a messenger sent from God in heaven to prove great Star Wars still exists out there? He's a foreign internet personality who, like 90% of the other fans, missed having his original trilogy the way he loved it. He said the day he wore out his VHS copy of Star Wars was the saddest day of his life, because the only cut available then was the 2011 Blu-ray cut. Remember, each new re-release undoes the previous one and they no-longer are sold in stores. Harmy could take it no longer, and started the "Despecialized Edition" project. What was the project's goal?

Crazy! That's what it was! Harmy's ultimate mission wanted to take any source of the original theatrical cut he could, any shot that had no Special Edition changes, any shot still intact since '77 and edit them altogether, back into a cohesive film, basically undoing all of the post '93 changes done by Lucasfilm. All of the sources are listed below that Harmy used to complete this magnificent restoration of Star Wars:
  • Lucasfilm's official 2011 Blu-ray cut. All of the non-CGI portions of this cut are re-used in the final Despecialized Edition due to their already 1080p HD quality, which saved Harmy a lot of time.
  • Lucasfilm's official 2006 release of the '93 LaserDisc editions, which helped to correct Special Edition changes.
  • Project Blu's upgraded HD footage of the '93 LaserDisc editions, which helped to correct Special Edition changes.
  • Internet user Flunk's somewhat HD copy of the '97 Special Edition theatrical release, which helped with editing and correcting Special Edition changes.
  • Team Negative 1's LPP scan of an original Star Wars film reel, which helped restore a few scenes.
  • Internet user Puggo Grande's dated, worn reel of the '77 (or '81) cut of Star Wars that was miraculously digitally corrected and enhanced to 1080p HD resolution to correct Special Edition changes.
Not only did Harmy want to do this for just Star Wars, but he wanted to do it for Empire and Jedi as well! Through a lot of work, turmoil, and what I can assume blood, sweat and tears, Harmy released his "Despecialized Star Wars Editions" online via his website, which have made their way into various P2P sites. I recently came across copies of the Despecialized Editions. Here's what I think of Harmy's work:

Harmy cannot be given enough credit for what he has done. This is no joke, I'm not making this up. I swear to it. When I pulled up the Despecialized Edition of Star Wars on my laptop and began playing it, I welled up in joy. I mean full on, hand-over-my-mouth tearing up. There, I said it. This ol' asshole has a soft spot after all.

The footage was beautifully enhanced to 1080p full HD resolution and it looks absolutely stunning. My vote is definitely on them looking superior to the already HD 2011 Blu-ray cuts. Each and every scene felt like it was coming straight off that old CBS Fox VHS, except gone is the grain of VHS wear-and-tear. Here is a beautiful, all-digital presentation of a recreation of the original theatrical releases of the three original films.

The sound is what truly what deserves merit here. As good as the footage looks in all three films, the sounds are astonishingly mastered and gorgeously re-edited into their original cues, volumes, frequencies, and pitches. Harmy has done supreme work in restoring the foreboding nature of Vader's ominous voice which was washed out by subsequent Special Editions. The lightsabers look and sound stunning, and the color correction is absolutely brilliant and jaw-dropping to look at. I've watched all three films since obtaining the digital files (a couple of them twice already) and I've got to say this: I don't know what the FUCK Lucasfilm is doing in their offices, but they have royally been jerking off too long because if an internet user gets a few fans who have cherished sources together and produces editions of the original trilogy that knock Lucasfilm's out of the park, then there's something wrong with that company. (Granted I saw Star Wars: The Force Awakens and it was phenomenal, but we'll get to that some other time).

Harmy and the fans who donated their sources to him have earned my love tenfold of George Lucas earning my love. Harmy made me fall back in love Star Wars again, which is weird to say because up until viewing them, I never thought I fell out of love with Star Wars. Please, if you love Star Wars then regardless of whether you're like me and crave the original cuts, or you hate people like me and think that what Lucasfilm is doing to their fans is right, you should check out Harmy's Despecialized Editions any way you can. I know I cannot wait to pop these puppies in on my 60" Samsung Smart HDTV with surround sound back home and watch all three of them. I don't even need the rumored Blu-ray re-release that Lucasfilm is still trying to jerk us off with by promising. Harmy and the fans brought us what Lucasfilm only hopes and dreams of: the greatest journey back to that fantastic galaxy, far, far away...

FINAL RATING:

Star Wars Despecialized: 10/10
The Empire Strikes Back Despecialized: 10/10
Return of the Jedi Despecialized: 10/10

No joke

Wednesday, January 13, 2016

A Tirade on "God's Not Dead"

In 2014, along came a movie about a evangelical college student who challenges his atheist Philosophy professor about the existence of God. The professor gives the student twenty minutes at the end of three lectures to make an argument about God's influence and general existence. The atheist professor spouts atheist things. The atheist professor is then revealed to be a former Christian who lost his way. Then he's hit by a car and dies. The End.

Oh...you probably want a more in depth review than that. Well unfortunately, this movie's story is about as bare bones as I am, and trying to find story in a story-less plot is like, well, trying to prove the existence of God. I mean how much did the writers possibly have to grasp at straws to write the one-dimensional characters that inhabit the universe of this turkey? So many things in the film are things we're either supposed to just accept, or supposed to know, or supposed to believe in without being expressly told or shown. You're probably thinking to yourself "Okay, so there exists a movie about proving the belief in God to a non-believer, that's a new thing, it's never been done before." Oh, but it has, and in far more creative and artistically awe-inspiring and fascinating ways. Movies about the Bible are not-rare, but they're not common either. The best stories that express belief in an Almighty spirit and hook the viewer's interest in the subject are the movies that do not tell you to believe because they say so, but the ones that show you to believe. One of my favorite movies of all time is Cecil B. DeMille's The Ten Commandments from 1957 starring Charlton Heston as Moses, the Hebrew slave who returns to Egypt to free his people, adapted from the the Book of Genesis from the Old Testament, I believe.. That movie would be enough to provoke for any young boy or girl to find God and believe in something. The special effects, the sets, and the story capture your imagination and make you truly wonder about the existence of God to the point that you'd want to get out to your local Sunday service and be a part of it.

God's Not Dead does the complete opposite of that. It descends into full-on cult status for alienating non-believers or potential believers by saying "Yes, God exists, and the people who don't believe have bad things happen to them or are inherently bad people." That sends a lot of poor messages about who you are and what your missions are. You want potential spiritual newcomers to at least remain free-thinking, don't you? You can't possibly think transforming the Christian religion into a cult is a phenomenal marketing strategy, can you? To get a better idea, I suppose I have to take this moment and walk through the plot to better understand where the movie's coming from.
DISCLAIMER: Before I begin, I'd like to say this: I consider myself spiritual in nature, living in a Catholic home and frequenting Christmas Mass, but I was never baptised so I'm not technically Catholic myself. I don't consider myself a practitioner, nor am I Biblically inclined. I don't know what book is in what Testament in what order, I don't know what the Gospel is, I don't know the name of Jesus' disciples, and I'm not aware of what exactly is the need for ten thousand different translations or wordings of the Bible itself. With that out of the way, let's begin...
So the movie's "story" starts when our main character Josh Wheaton, though the other characters slur his last name into "Whedon", which makes me think this Aeropostale poster-boy is the guy behind The Avengers, registers for a philosophy class in college as a freshman. During his first day of class, we see his professor, Jeffrey Radisson (played ironically by Kevin Sorbo, one of the most devout actors in the world) pass around a sheet and forces his students to sign it. What exactly are they signing? It's stated that they're signing a sheet that says that God is dead and they accept it. If they don't sign it, Sorbo says he'll fail them.

Now, take that in for a second. Something about this paper just makes me have a problem with something, I can't recall what it is...oh right, LOGIC! THE CONSTITUTION! COMMON SENSE! FREE WILL THINKING! When this scene started unfolding, my brain shut off. Where in the name of ass does this complete mess of a story even begin to make sense? Did these dickhead writers take even ONE college course? Did they watch ONE episode of Saved by the Bell: The College Years?College. Doesn't. Happen like that.

First off, a college philosophy professor who so happens to be an atheist is about as stock as it gets. The only thing more predictable is if he happened to be some sort of scientist. Secondly, since when is forcing a classroom of fifty-plus to sign a paper saying they agree with you on your train of thought, no matter what it is, or else he'll fail you, even remotely okay? Wouldn't someone catch whiff of this happening? This probably isn't Kevin Sorbo's first semester teaching either. He's probably done this for all of the other semesters, which means if common sense flows through humans like I hope it does, he would've been fired a long time ago for pulling that shit. Again, this movie likes to throw free will out the window in favor of playing the propaganda card and flat-out telling you what to think and believe, rather than let you do the smart, healthy thing and go on a journey of self-discovery. Thirdly, and this is a big one; Josh is the only person in a room of fifty-plus who refuses to sign it. Whoa. Mind blown. You're telling me that in a room of that many people, only one kid is a devout believer who's brave enough to stand up to this bullshit? The writer's must've been living in Sunday school because in real life, non-believers would even stand up to this tragic misuse of free speech, but also in real life this ridiculous thing wouldn't even happen in the first place because PEOPLE DON'T DO THIS, but I digress.

Actually, there are other kids in the class that care, but apparently only Josh was brave enough to have a problem with it and stand up with his issue. Now, the solution to this? Have a one-on-one in Sorbo's office to discuss his pretentious caterwauling about how God's wrong to believe in and doesn't exist and settle it like men in a "you leave me alone, I leave you alone" scenario? If you think that's the answer, you're clearly not paying attention and need to start this review over. No, Sorbo decides to donate twenty minutes of class time at the end of the next three lectures for Josh to get up in front of the class and present his reasoning to prove the existence of God. Goddammit, this movie just keeps getting more and more ridiculous. Ridiculous levels are on par with a Care Bear snorting cocaine whilst trying to teach the ABCs to GED-seeking Ritalin-addicted sex maniacs who just can't stop stealing cookies from the public snack tray during Improv class. How ridiculous is that? WAY OFF THE CHARTS RIDICULOUS. First off, what normal college class is going to donate valuable time to the professor's game of "Let's see how worthless and stupid I can make my students feel today". Granted it's a philosophy course, so these types of discussions probably occur a lot more often than we think they do. Still, in a lot of my college classes, professor's often fight tooth and nail just to save time. Having all of this free time to throw around is pretty far-fetched considering the classes I've taken. Not to mention, if anything not related to class is going on, students will get up and leave. Period. College isn't like high school where you're forced to stay. I've seen kids sit down, figure out what we're learning and get up and leave. If all of these kids don't care or are too timid to stand up to Radisson, why the name of fuck do they sit, stay and listen? I would've jetted out of that hellhole and signed up for a Philosophy class that actually devotes time to learning, not childish shenanigans.

In case this plot isn't riveting enough for you, the writers thought of that too. You see, making the whole movie about Josh and Professor Dickface would've resulted in it being about, oh...forty-five minutes long. To counteract this, there's a series of attention-stealing side plots that are just as jaw-dropping as the main plot. One of my favorite side characters is Josh's girlfriend, whose name escapes me, because she's not important enough to care about, much less remember her name. She's mad because Josh decided to stand up for what he believes in and has apparently "committed academic suicide" by doing so. Really? In just his freshman year? Listen up, writers; if this college is like any other college I've been to or even heard of, failing one Philosophy class in your freshman year is nowhere near academic suicide, even if Philosophy's already your declared major. You could most certainly retake it, and because it's a freshman level course, that leads me to believe that there are about twenty other professors who teach the same class, so you could definitely retake it with a DIFFERENT GUY; probably one that's not a complete tool, too! In fact, Josh had a chance to! When he's picking professors, the kid handling his registration says he should pick a different professor because of Radisson's apparent reputation as an atheist, but Josh comes up with the no-brainer retort of "...if I choose a different professor, I'll have to rearrange my whole schedule." Apparently Josh also didn't get the memo that it's his freshman year, so there's only once again about twenty-ish professors per class for him to choose from which would allow for an easy-as-hell reworking of his schedule...

So, not only does Josh's no-name honey believe that, but she's also a complete loony because she actually uses the phrase "I'm sorry I had the first fifty years of our lives planned out", which is a little scary...okay no, that's really fucking scary. Forget clingy; this girl is that soaked piece of toilet paper you're trying to wipe off of your porcelain bathtub. Yep...that stuck.

So Josh sticks to his guns, and she dumps him. Yep, she dumps him for defending his beliefs. Remember that one stuck-up prune that fucked every guy in high school except for you? I guess the writer does, because he must have based Josh's girlfriend on her. This girl is so shallow, she's not even at kiddie-pool depth yet. She's at a depth of "I just turned on the faucet to make sure water was coming out". Not only that, but Josh isn't even remotely effected by it. She dumps him and after brief contemplation, he's just like "Okay..." Remember guys, your girlfriend is important, but God is important-er. Were these two even in love? I don't think so. They certainly don't act like it. He's all "Me, me, me" with his beliefs and she's all "Me, me, me" with everything about the relationship because of how controlling she is, and there was not "We, we, we" this whole time.

Next side plot character? Mina. Jesus Christ (no pun intended) is she a dead-end character. She's Kevin Sorbo's girlfriend in the movie, which is weird because despite however old she actually is, she looks twenty-seven and he's like...fifty-five, so even if she is age-appropriate, she doesn't look age appropriate and it looks creepy as all get-out. She is clearly just shoehorned into the movie so that the Christian viewers have another reason to hate atheists...you know, like this movie didn't give them enough reasons. She suffers constant emotional abuse by Radisson because of his atheism and her devout Christian beliefs (because that's all atheists fill their time with...hate), and like a spineless wimp she sits there and just takes it. There's a scene where she serves wine to a dinner party hosted by her and Sorbo that a bunch of Sorbo's colleagues attend (who all, for the sake of pushing another bullshit message, happen to be atheist) that she accidentally left in the trunk of her car, and everybody hates it. Not only that, but they start mocking her and making jokes, including a "Grapes of Wrath" pun that makes me wanna French-kiss a power outlet. The creme of the crop? Sorbo laughs with the hecklers and at his girlfriend... Stop it. Just stop it. If you're trying to make me hate Kevin Sorbo it's not gonna happen. I'll just watch a re-run of Hercules and fall back in love with him instantly. The message that atheists are nothing more than hateful jackrabbits is hit into my skull so much, which is so not true in so many respects, that it's hard to take the whole of this shit seriously. You can't take anything seriously. This is like the play somebody writes when a kid bullies them too hard and bases the main character off of that bully and makes him out to be a giant prick. It's unfair to the audience how much hate is being leveled here. I thought Christianity was about loving thy neighbor and all men being made equal in the eyes of the Lord? When did that go out the window?

Next we have Mark, Mina's brother. He's only here because he's Mina's brother, and that's it. Oh wait, did I mention he's an atheist and played up to be a bad guy? Oh yeah, you probably don't fucking need to be told anymore. God, I hate this movie. He's played by Superman dropout Dean Cain of all people, and has a role rather small, thankfully. Unfortunately, so is his impact. Together with Mina, he has a mother sickened with Alzheimer's disease. He refuses to see her because he wants to remember how she was, and not how she is now, but eventually has a change of heart and visits her anyway, only to somewhat mock her because he's not a believer and he's rich and she's a believer and she has Alzheimer's so...ha ha? He even spouts a horrible line that goes something like "If she can answer what three plus three is, I'll come visit her", which is...just an awful thing to do in both life and to your ailing mother.

Mark's other big plot occurrence is his girlfriend Amy, who is devout. Ugh. Another Christian-atheist couple. Do you get the feeling that the writer's hate atheists yet? Do you get the feeling they aren't even trying to write a good story anymore? If you think you're still watching a movie, you need to put down the Book and think for yourself for once. Do some independent thought; trust me, it's good for you. This isn't a movie; this stopped being a movie so long ago. No, this is an internet rant on atheists that got adapted into a two-hour clip show of atheists supposedly doing what they do best which is live without love, and hurt those that live with love. So in case this movie still can't convince you that atheists are hateful swine that don't deserve to share God's planet with you, Dean Cain dumps Amy because she gets diagnosed with cancer...

There are no words to describe my anger for how atheists are being treated right now. I have no words. This is without a doubt the worst movie ever written. I'll say it. The dialogue card is played unfairly in the Christian light so that the devout characters have all the whimsical lines and character development while the atheists, the ones whose characters need development and would have much bigger and better payoffs and make this movie worthwhile, are mistreated so badly. They're your one-dimensional stock villains that do evil things because they're evil. That's it. It brings my piss to a boil on how astronomically fucked up this whole thing is. What makes me even angrier is that fact that there are people out there who think this is all tried and true.

Let's just speed round the rest of these fun-bags because I'm already tired of reviewing this mess. There's the two reverends, Reverend Dave and Reverend Jude, who decide to spend a few days together and go to Disney World. They act oddly homosexual which threw me for a loop because I thought "No pastor would allow this into the movie". They get in a car, and it doesn't start. Odd, so they get a rental car, and it doesn't start. Alright, I think I know where this is going...it's because they're secretly gay, right? Being gay is wrong in the eyes of Jesus, right? Well no, once they believe hard enough the car starts and the leave just fine. So...was that a side plot? Did the movie just distract us for ten minutes? Was that an internet ad for the Church of Christ while the movie buffers? I don't get it. It almost feels like it doesn't belong. The only reason this ordeal exists is because these two are the ones who help Radisson in the end of the movie. Without this scene, you wouldn't even know who these two are? Their impact in the movie is zilch.

Finally, there's Ayisha, a girl raised Muslim her whole life by her traditional Muslim father--OH WAIT! Let me guess! She's secretly interested in or has already joined Christianity and her dad finds out and something really bad happens?! Ding, ding, ding...we have a winner. Her brother catches her listening to Billy Graham's son Franklin on her iPod and rats on her. She gets kicked out of her house by her father after he beats her and she ends up at Reverend Dude's church where he says that it doesn't matter if she doesn't have a roof over her head or food to eat, so long as she has God. Interesting theory, movie; logic tries to fight you on that one, but I'll let you have that one because I'm just that nice'a guy. First of all, many times what can happen is that Christians in Muslim households, especially women, are KILLED for this. Why would her little brother rat her out when this could very well happen? You could argue that he doesn't understand that this could happen, but he's sure as hell going to regret it if it did. Secondly, how does her little brother know who Franklin Graham is? Is he a secret listener too? Some would say he's famous, but I didn't know who he was before I viewed this mess, so that's not true. You know, that almost negates the first argument. If her brother understands the difference between Christianity and Islam and why both parties aren't very tolerable of one another, he goddamn jolly-well should understand the implications of what could happen by ratting out his sister.

So you probably wanna know how the main plot ends, right? Well unfortunately, a killing spree isn't involved. Like you're probably expecting, there's a slight payoff, and it's taken away from a ludicrous event. To sum it all up, Josh's debates with the professor don't start off as planned. Josh's overly decorated PowerPoints fail to impress his classmates and Radisson. The second debate ends up the same way, with Josh coming up with some valid points and Radisson shuts him down again. The third debate ends with Josh, of course, inspiring some of his classmates by beating Radisson in the debate by forcing him to admit that God does in fact exist, and he just hates Him for his mother dying despite his constant prayer. Because of all of that, he is a religious recluse and trashes the ideals of spiritual nutcases everywhere. However, somewhere after the event of of Josh proving him wrong, Radisson finds a letter from his mother that re-inspires his faith and he goes to the Newsboys concert at the end of the movie to confess his true love for Mina and that he loves her for who she is, (By the way, I failed to mention that's the big payoff of the movie. The Christian rock band Newsboys performs their song "God's Not Dead" and dedicate it to Josh for his role in standing up to those mean ol' atheists), regardless of her religion. Hooray! His arc is complete! Something was actually completed in this movie! He actually has a complete arc of--, oh wait he's killed off. Son of a BITCH!!!

I have a few problems with Radisson's death in the movie. The biggest is that his change of character is not only ill-advised but also not likely. Let's think about this: A man who's lived part of his life initially believing in Christ, then denouncing and living a larger part of his life as an atheist and thus not believing in an Almighty Spirit of any kind, just all of a sudden decides that for the good of his relationship and his career to re-accept Christ as his Lord and savior whilst dying in the street from internal injuries suffered from getting hit by a car, is just ludicrously insulting. First off, it's a little cheap for the writers to allow Radisson to have this all-important realization and re-acceptance of faith just to kill him off anyway. If Radisson was the Radisson of real-life, he would've died on that street telling Reverend Dave to go eat a dick and curse God's name unto death. What happened to his moral crusade against God? He just gave up? Are you serious? His twenty-plus year as a Jesus hater was suddenly dropped because he had a slight epiphany reading a letter from his mother? So he decides to be a good person, and being a good person means accepting Christ into your life until you're dead. This is the payoff. You cannot be a good person, unless you accept Jesus into your life. It is impossible. Boom. Message delivered. Roll credits.

Even if Radisson didn't accept Jesus back into his life, he could've still had a change of heart and just simply stopped acting like an asshat. That's it! That pay off would've given a lot better message. Holy cow I'm a genius. To live with love somehow without Jesus in your life. It is possible, people. Same with Mark and Amy. Mark and Amy could've reconciled (although she would be wise to reject him seeing as how he dumped her for something happening to her of fate, not of choice) and that would've said a lot about Mark and how far he's come. Instead, Mark has no payoff. Mark's just an asshole. Why? You already fucking know why, because he's atheist. Same stupid message the movie's told you for the last two hours. Radisson has a somewhat payoff, but it's half-assed and rushed.. He could've just stopped acting like an butt clown and learned to love in his heart without accepting Jesus in his life, but also realized the love Jesus brings to his wife and accepted that. What a great payoff that would've been, but that's not what this movie's about is it? This movie is all about telling us that Jesus is the only one who can make you a good person. Being a good person isn't something you're born to do or skills you learn, it's only something you inherit from becoming a devout follower of Christ. Blow. Me. Sideways.

I'm not saying religion is bad for your mind, far from it; but I am saying that this movie could have a ton more leeway on its messages. It portrays Christians as being open-hearted lovers who only want the atheists to understand their beliefs, which holds true to real life, but it won't let that message get across because the movie won't allow atheists to have a change of heart because it tells us atheists can't have a change of heart. They're all heartless. The only atheist to have anything close to a change of heart is Radisson, and this movie teaches him a lesson for his years of Bible abuse by killing him.

FINAL RATING:
<* = 0.2 out of 5 stars: God's Not Dead is a horribly-written, badly-acted, mish-mash of random events that are disjointed and lack universally-relatable, down to Earth characters. The movie favors a propaganda approach to storytelling over eventual payoffs, completion of character arcs, and hopeful reconciliations that emotionally would've paid off in far better ways. It teaches us that atheists are shallow, cold-hearted, loveless people who would rather see the ideals of God destroyed than simply agree to disagree and coexist as the Almighty truly intends. It leaves the idea that all people could get along, regardless of religion or creed at the front door to deliver two hours of loathsome dialogue, horrendously laughable character situations, and cheap tying-up of loose ends. It no doubt resides in the hearts of close-minded buffoons who share the same narrow-sighted ideals and view this laid-egg as a stand-up entertainment and all-important media

The rating would be 0, but I just watched a clip of the TV show Hercules, so Kevin Sorbo gives the movie 0.2.

Friday, December 19, 2014

An Epic Star Wars Retrospect: "Star Wars (later Episode IV: A New Hope)", 1977



Hello again! Welcome back. Today, it dawned on me. While the Star Wars films are some of my favorite films in the history of everything to watch, I've never done an in-depth retrospective on any of them. I know I've tried in the past, but the reviews only ended up as audio files that lasted two or three minutes. Instead, I decided to try my hand at tackling Star Wars in this format here.


The next thing I wondered is how to review Star Wars effectively. At first I thought just touch on the six movies and be done. However, then I started thinking that everyone will want to hear my opinions on the 1995 LaserDisc films, 1997 special editions, the 2004 DVDs, the limited edition 2006 DVDs, and of course the 2011 Blu-rays. So, I'm going to do just that, I'm gonna tackle all the major releases of the six films that I at least acknowledge as such. First off, let's start with the actual review of the films, in their theatrical glory.

"Star Wars", 1977
A long time ago in a galaxy far, far away...

The first Star Wars film took the world by storm. No joke. We think movies today have giant releases with well-hyped media outlets, Star Wars created that vibe. Not at first, however. Before Star Wars, the indignities of the Vietnam War coupled with the American people's lacking of trust in their leaders and their government had the country in a dark place in time. It was a time when movies in Hollywood were more realistic and featured grim displays if then-modern day America.

Coming from California, a young filmmaker by the name of George Lucas had just finished his film American Graffiti and was shopping a new screenplay around to execs all over Hollywood. Alan Ladd, Jr. at 20th Century Fox funded Lucas's vision and the legendary film was created. May 25th, 1977 was a day the world will never forget.

The Characters
L-R: Mark Hamill as Luke Skywalker, Carrie Fisher as
Princess Leia, and Harrison Ford as Han Solo
You have three main characters in the story of Star Wars. First, Luke Skywalker, the farm boy and the would-be hero of the story. He's played by then relatively-unknown actor Mark Hamill, known today for his voice work as DC Comics super villain the Joker. Then comes C-3PO and R2-D2, the two droids carrying the plans to the princess on Alderaan, both brilliantly brought to live by Anthony Daniels and Kenny Baker, respectively. One of the most notable roles in the film was of old Jedi master Obi-Wan "Ben" Kenobi, played by Sir Alec Guinness. Different reports dispute whether or not Guinness was satisfied with his casting as Obi-Wan or if he enjoyed it; I personally believe he enjoyed it to an extent that he hoped it wouldn't eclipse the other work in his career.

The second main character, Han Solo, is played by Harrison Ford, also an unknown at the time. He's a smug space pirate who only worries about himself and gets in bad dealings and apparently has a price on his head. His Wookie pal Chewbacca is played by Peter Mayhew, who has played Chewbacca in every live-action instance of him since. Princess Leia, the third main character of the film, is played by Carrie Fisher. She's another main focus of the story, seeing as how R2's mission is one she gave to him and the plans could be hers.

Sir Alec Guinness as Obi-Wan "Ben" Kenobi

On the other side of the spectrum, there's the evil Darth Vader, played by David Prowse and voiced by James Earl Jones. He's a mysterious figure in all-black armor who appears to have once been a Jedi Knight, as Obi-Wan reveals that Vader was once his apprentice who betrayed him and helped the Empire hunt down and destroy all the Jedi Knights, including one who was Luke Skywalker's father.
Then you have Vader's boss Grand Moff Tarkin, played by Peter Cushing. He's nothing more than a stock lead bad guy, but he's more memorable because of Peter Cushing's performance.




The Story
"The story of Star Wars is that of farm boy Luke Skywalker who essentially dreams of being among the stars and fighting the war against the evil Galactic Empire. When two droids, C-3PO and R2-D2, crash land on his home planet of Tatooine carrying secret plans to the Empire's ultimate weapon, and are then purchased for work by Luke's uncle on his farm, Luke goes with them to seek out an old sage on his planet by the name of Ben Kenobi. After learning of Kenobi's whereabouts, Luke's aunt and uncle are killed by the Imperial forces in search of the droids. Luke decides to go with Kenobi to Mos Eisley spaceport to hire a pilot to take them to Alderaan, the home planet of Princess Leia Organa, custodian of the stolen plans who programmed R2-D2 for his mission. Here, they meet smuggler Han Solo and his co-pilot Chewbacca. Together, they take Han's ship, the Millennium Falcon, and travel to Alderaan. Along the way they are intercepted by the Empire's weapon, the Death Star, a giant space station capable of destroying a planet with one use of its super laser. On board, they encounter Darth Vader, a mysterious enemy who was once himself a Jedi and know a Dark Lord of the Sith for the Empire. Obi-Wan sacrifices himself to save Luke, Leia and Han and together with the Rebel Alliance, they launch an assault on and destroy the Death Star. Luke and Han are praised as heroes and the film ends."

Darth Vader, played by David Prowse and voiced by
James Earl Jones

This was a lot for 1977 audiences to take in, and here's why. When Star Wars begins, there's an opening crawl that fills us in on events on what has occurred prior to the start of this film, whether they immediately occurred before the film or occurred many years prior. So in 1977, when you watch Star Wars, the crawl is your back story, and then you're thrown directly into a raging battle between the Galactic Empire and the Rebel Alliance. I'm not saying its impossible to follow. In fact, its brilliant! Lucas didn't wanna waste anyone's time telling a back story to the events of the film. Throwing them in the middle of the action and creating a story out of a war that is already raging is a great tactic for story-telling. Having to set up the Galactic Civil War setting and warring factions for the story to take place in would've taken at least 3-4 films prior (wink, wink)...

Think of it this way. Imagine no expanded universe. Imagine no prequels or TV shows or comic books. On May 25th, 1977, this is the ONLY form of Star Wars related material you have. The only source of story. Now, today I'm sure there are literally millions of story entries in the saga, and its almost impossible for one person to memorize and therefore encompass into their viewing.

The Special Effects
Two other aspects of the original 1977 Star Wars film I wanted to touch on were its special effects and its soundtrack. I'll start with the former.

The special effects for the original Star Wars film were the result of an $11 million budget and a lack of time for production. It also came from the fact Lucas wanted to do all the special effects for the film with his own company, and thus came Industrial, Light and Magic. The majority of, if not all of, the special effects were done with models of various animals and ships. The lasers and lightsabers were done in post-production with computers. Some of the ship relays and setups were so magnificent that when coupled with the score and the sound effects, are mesmerizing. All the shots of the ships in space, they had to rig with special relays to get it to move in the way you see it on screen.

The Soundtrack
Obviously, Star Wars was envisioned as being a space-opera film, so the opera portion was severely lacking until Lucas was able to recruit the industry's best in John Williams. Williams had recently won an Oscar for his work in Steven Spielberg's Jaws. For the film, Williams composed several themes for different characters, the most memorable being Luke's them and Obi-Wan's theme. The main title crawl for Star Wars is a rendition of Luke's theme with an interlude, but it has become one of the most recognizable film theme pieces in motion picture history. Just reading "A long time ago in a galaxy far, far away..." and then having "STAR WARS" blast through the screen and hear his triumphant march begin...all of the film's score is fantastic. Fully recommended to anyone looking for film soundtracks.

The Verdict
Fantastic. It seems like all the stars were aligned when George Lucas became intent on creating Star Wars. Everything came together perfectly, and it shows. Star Wars is not only just perfect in my eyes, but it was one of the first twenty-five films inducted for preservation in the Library of Congress' National Film Registry for being "culturally significant". It has spawned almost forty years of just wave after wave of Star Wars related media coming our way. Will there be a time when Star Wars becomes unpopular and eventually die off? I doubt it, honestly. The universe is just far too big. It has too much to encompass and even after all the loads of stories many have told using its universe, there still millions more stories to tell...and all the pages of books and comics, all the plastic going into building the toys, all the airtime used for television and especially the all the work that has gone into making the films...it all stared with this simple "space movie" that came out in 1977, and whisked audiences away to a galaxy far, far away...

Rating: ***** 5 stars out of 5 = Nothing short of a masterpiece